TBQ

Jazz Standard Brings the Heat to Fall with the Terence Blanchard Quintet

Nothing can warm up a cool autumn night in NYC like a plate of barbeque, a glass of wine and the sound of live jazz.  With Jazz Standard, you’re guaranteed a night of good food and good music.  Located at 116 East 27th Street, Jazz Standard is one the nation’s premier jazz clubs.  Each month they offer an array of legendary and new talent in an intimate candlelit setting.   This month they started off with the Terence Blanchard Quintet.  In my book Blanchard’s music is the secret ingredient that takes Spike Lee’s films to another level.  Blanchard’s horn can also be heard in the 2001 movie Original Sin.

TBQ4From October 1-5 the Terence Blanchard Quintet enraptured patrons of Jazz Standard with selections off his latest album Magnetic  as well as other selections composed by members of the quintet and other pieces from past albums.  The quintet is comprised of virtuoso Blanchard on the trumpet, veteran Brice Winston on saxophone and upcoming stars Joshua Crumbly on bass, Fabian Almazan on piano and Justin Brown on drums. I was privileged to be in the audience for Blanchard’s last two sets on Sunday.  Both sets were as electrifying as the name of Blanchard’s latest album starting off with an energetic, toe tapping piece, then following up with a more down tempo, melodic number and ending the set on a beautiful, robust note (pun intended).

TBQ3Along with the Terence Blanchard Quintet, Jazz Standard’s features for October include Steve Wilson Quintet, James Carter’s “Django Unchained,” and Edmar Castaneda World Ensemble.  Every Monday belongs to the music of Charles Mingus.  Billed “Mingus Monday,” the regular series presents the genius innovations that made Charles Mingus one of jazz most prolific bassists and composers.  It doesn’t matter whether your jazz exposure has been Kenny G or if you’re lifetime member to WBGO, you’ll be thoroughly entertained at Jazz Standard.  The mix of artists proves why jazz is one of the last true art forms to come out of America and why this music must be preserved and continued for future generations.

To learn more about Jazz Standard, click www.jazzstandard.com.

To learn more about the Terence Blanchard Quintet and view more photos and purchase music, click http://www.terenceblanchard.com/, https://www.facebook.com/TerenceBlanchardJazz .

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Sex and the City Slot Game: A Huge Hit among Fans

If you’re a fan of Sex and the City’s fab four, you’re going to love this. One of the oldest slot machine makers in the world, IGT, developed a game that carries with it the commercial license of HBO’s hit romantic comedy. Fans of the show will feel at home playing it, as they will find a lot of recognizable slot machine reel symbols that are actually based from the characters, setting, and theme of Sex and the City.

The Sex and the City slot machine is a colossal success at the Resorts World Casino in Queens. An article by New York Mag, stated that some of the guests even came all the way from Manhattan when they learned that Sex and the City slot machines were being offered by Resorts World.

“I came just for this game,” said Janis Savit, a jewelry designer that the New York Mag interviewed for their Sex and the City slot machine feature. “It was more fun than doing work.”

Perhaps the success of slot machines can be attributed to how they change along with the times. No longer the traditional coin-op and lever machine, these slots have become the money-spinners of casinos thanks to their high-definition graphics, surround sound entertainment, and progressive jackpot features. According to data, the slot machine business is so successful that not only is it a $160 billion industry, but companies that offer it online are also doing very well. Cryptologic,the operator of the first online casino brand in 1996 InterCasino, is still in operation and has recently optimized their games to HTML5 in order to make their titles playable on many gaming platforms. In the U.S., the online gaming market is predicted to be valued at around $73 million by 2015.

Sex and City is the epitome of a modern slot machine. Apart from the 5-reel interface, the game offers bonus rounds and huge jackpots to players who are patient enough to hit them.

The bonus features of the game also carry with them the identity of the show that millions of Americans have come to love. For example, when players hit the “Shoe Closet” feature they will be able to see stylish shoes that the Fab Four wore at some point in the show. Another bonus feature of the game is called “Simply Fabulous” and features Charlotte wearing an engagement ring. In this game, players need to select four engagement ring boxes that would reward them credits in the end.

Click here to learn more about the Sex and the City slot machine game.

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Holler If Ya Hear Me Adds to the Legacy of Tupac Shakur

It’s official kids… the force of nature that is hip hop has crashed down on the Great White Way.  The music and culture that was created in the Bronx has changed the course of music and pop culture and influenced the world.  Hip hop and I grew up together.  When it was still a burgeoning form of music, hip hop served as a medium to convey the joys and sorrows of one’s neighborhood.  It was through hip hop that I learned how folks got down in Cali, of Bloods and Crips and low riders.  I learned what it meant to be chopped and screwed.  Through the vivid stories of MCs nationwide, I got to see what made all impoverished areas different and the same.   No MC reported the tales of the streets and the ills of society more poetically than Tupac Shakur.  When Tupac passed away on September 13, 1996 of respiratory failure and cardiopulmonary arrest in connection with multiple gunshot wounds, a part of my heart and youth died.  Since his untimely death at the age of 25, Tupac rose to the heights of icon status.  His lyrics and life inspired college courses and he is considered one of the greatest artists and MCs of all time.  Now the music of Tupac Shakur is the driving force of a new musical, Holler If Ya Hear Me, playing at the Palace Theatre.

5.201699Holler If Ya Hear Me uses Pac’s music to tell the story of urban plight, love and change.  John, played by the Saul Williams, has just returned to the neighborhood after serving a stint in prison.  With his hustling days behind him, he is hell-bent on changing his life for the better, but it’s hard to find change when the cycle of poverty keeps circling.  John’s friend Benny is murdered by a rival gang and the neighborhood is reeling.  Revenge weighs heavy on the heart of his brother Vertus and the homies that are left behind.  Violence seems imminent.  Even John has appeared to have discarded his plan of peace, until he is reminded there is a better way.  As John and Vertus decide to abandon any notions of retaliation, the neighborhood is rocked by another senseless death, which proves how the cycle of violence will only continue if strides aren’t made to break it.

5.201697The jukebox musical is a sure fire way of guaranteeing a successful theatre production.  The music and lyrics already have a legion of dedicated listeners, which promises at the very least the ability to recoup the monies invested in bringing a production to a Broadway stage.  One can almost argue that a jukebox musical is cheating because half the work has already been done.  The struggles of inner-city life and the desire to break away from its hopelessness isn’t a new theme.  In fact, one the most brilliant productions to ever explore this topic, A Raisin in the Sun, is currently enjoying another revival on Broadway.  Even the idea of hip hop isn’t entirely new.  Lin-Manuel Miranda introduced elements of the musical genre to the stage in In the Heights. But what is new is a jukebox musical based off of hip hop, and now rap has one with Holler If Ya Hear Me.

5.201700With the music of Tupac Shakur fueling this production, Holler If Ya Hear Me was poised to blow the roof off of the Palace Theatre.  However, there was one thing that stopped this production from rocketing off into the stratosphere, the book.   The neighborhood, which is set in the present day, could be any ghetto USA.  I’m in total agreement that Tupac’s lyrics are timeless, but the story could’ve benefitted by setting it in a specific city or region of the country.   One can argue that the story is clichéd taking cues from Menace to Society and Boyz in the Hood as well as West Side Story.  Maybe it’s my age or maybe it’s just challenging to create an original story in this century, but the book didn’t deliver on the dynamism reflected in Pac’s music making the production unbalanced.    The choreography wasn’t as explosive as I had hoped and the lack of a set left the actors drowning in on a half empty stage.  But even with these flaws, Holler If Ya Hear Me still shines because of Tupac’s music and the ability of Saul Williams to transcend past an overdone story to deliver a powerful performance.  Williams is no stranger to exuding passion on stage, after all he is one of the world’s most well-known slam poets.  Williams rage, sensitivity, charisma and presence were felt in every corner of the audience.

5.201701When it is all said and done, Holler If Ya Hear Me will join the long list of musical productions made during this millennium that teeters somewhere in the middle, not disastrous but not reaching the glorious spectacle of what musical theater used to be.  But I know very well that the people won’t come to this musical because they love musicals or Broadway.  They will come to pay homage to Tupac Shakur – a man who indeed was like a spark and through his ignition he succeeded in changing the face of hip hop and the world.  If nothing else this production shows how relevant Tupac still is. Holler If Ya Hear Me roars and I holler back, “Viva Tupac Amaru Shakur!”

Photos: Joan Marcus

THE OUTING

The Outing Is Coming OUT This Summer

Ten years ago playwright Afrika Brown decided to use an assignment to take a decade’s worth of experiences and combine them into a one-act play, thus THE OUTING was born.  After 10 years, THE OUTING made its premiere this spring at Open Hydrant Theater Company’s Urban Waves Spring 2014 Short Festival in the Bronx.   But the coming out party for this one-act drama hasn’t stopped there.   THE OUTING is taking Manhattan by storm, first playing at Manhattan Repertory Theatre’s Summerfest this month and in August THE OUTING will appear in the Strawberry One-Act Festival.

In THE OUTING Afrika Brown poses one question: What’s the “T”?

What is truth?  Everyone knows what the truth is, but when the truth is revealed….how easy is it to accept?  Can you accept your truth or someone else’s truth when it finally comes out?

THE OUTING is a captivating drama centering on three individuals who reveal a certain truth about themselves and the acceptance or nonacceptance of life outside the closet.   Brief yet penetrating, THE OUTING aims to hit the audience straight between the eyes with the speed and power of an Ali punch. As these characters learn to deal with the truth about themselves, the audience is also left to determine how the hidden truths of their life would affect the course of their life if they were to expose them.

Manhattan Repertory Theatre’s Summerfest is located at 303 West 42 Street, 6th Floor.  Performance Dates and Times for are as follows:  Wednesday June 18 at 7 pm, Friday June 20 at 7 pm, Saturday June 21 at 7 p.m.  Tickets are $20 and can be purchased at MRTRESERVE@GMAIL.COM.

The Strawberry Festival will play at the Theatre at St. Clement’s, 423 West 46 Street. Performance Date and Time for the festival is:  August 24 at 4:00 p.m. Tickets are $20 and can be purchased online at www.therianttheatre.com.

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Delicious Eats Await At The Derby

In a city where neighborhoods reinvent themselves with same speed as Madonna, hearing that a new restaurant has sprung is just par for the course.  The Lower East Side is just one of many NYC neighborhoods that is shedding the skin of its past, and I just got the scoop on a new place that you and your peeps will want to make your “old haunt” very fast.

20140521_161810The name is The Derby and it opened a little over a month ago.  Located at 167 Orchard Street this eatery specializes in biscuits and bourbon and southern cuisine standards such as cheddar grits, chicken fried steak and baked macaroni and cheese.   The music creates a cool eclectic, vibe.   The décor is a mash-up between bar at Churchill Downs and a scene from The Great Gatsby with a speakeasy located in the basement – a great setting for a private get together.

20140521_161824I know what you’re thinking, the vintage furnishings sound nice, but how is the food?  Well FAMERS…the food is scrumptious.  I suggest the fried chicken, if you’re looking to have a cheat day on your diet.  The pieces are fried to golden perfection and the meat is juicy.  It comes with a side of fried okra and let me tell you, any place that can get me to like okra gets high marks in my book.

20140521_161954If this place was running in the upcoming Belmont Stakes, I would put my money down on The Derby.  It’s a shoo-in and a cool place to have a bite to eat in the summertime.  And if you do, say hello to Gabe, the restaurant’s manager.   He’s very personable and a definite added attraction.  Good food, good vibe, good people, good prices…there is nothing not to like about The Derby.

Urban Waves Summer Shorts

Urban Waves Has The Bronx Simmering With It’s Summer Shorts

The unofficial start of summer is here and Urban Waves @ Open Hydrant is raising the temperature uptown with their Summer Short Play Festival. The three day festival begins on June 6 and ends on June 8.  The plays participating in this festival are  The Three Joys of Mary, Heat of the Moment, Last Exit in New York, Billboard’s Greatest Hits and Fire.

Founded by Luis Cardenas, Sarah Rosenberg (stars of the Showtime documentary Shakespeare High) and Deborah Pautler, Open Hydrant’s mission is to vitalize the Arts and Theater scene in the Bronx. Their wish is to create an ensemble based company of actors, directors, playwrights, producers and artists to better serve the cultural invigoration of the South Bronx. The creative spirit of New York City doesn’t just reside in Manhattan.  As the Bronx’s first professional AEA ensemble theater company, Open Hydrant is determined to make the BX a destination for citizens of all five boroughs and the tri-state area. Urban Waves, a subset of Open Hydrant, explores material that contain edgier themes.

Urban Waves @ Open Hydrant Summer Short Play Festival will be held at The Point, located at 940 Garrison Avenue.   Advance tickets can be purchased for$12 online at http://www.brownpapertickets.com.  The ticket price also includes one drink.  Don’t be afraid to haul your cookies to SoBro to view  good theater.  Open Hydrant and Urban Waves are the best thing to come out of the Bronx since hip hop!

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Under My Skin Provides A Healthy Dose of Laughter

I don’t think there is a person alive that hasn’t heard the phrase, “An apple a day keeps the doctor away.”  As for myself, I prefer “Laughter is the best medicine.”  Laughter may not have the ability to cure all ailments, but it definitely heals the soul.  And a prescription filled with laughs is what the members of the audience at The Little Shubert Theatre will receive when they view Under My Skin. 

6.200106Taking cues from Switch, Big and Freaky Friday, Under My Skin adds a whole new chapter to the old body exchange tale. So here’s the story… Mr.  Harrison Badish III is the CEO of Amalgamated Healthcare, the nation’s leading healthcare provider.  He’s a cold, shrewd business man who cares more about making money for the company than making a difference or knowing his employees, one of whom is Melody Dent.  Melody is a single mom from Staten Island who works part-time at Amalgamated with her best friend Nanette.  Both she and Nanette had a problem being seen by Badish until one fateful day when a cup of coffee sets off a chain of events that leads to Melody and Harrison coming face to face with an angel.  The angel, compassionate to their pleas, decides to bring them back to life, but there is a catch, their souls are placed into the wrong bodies.   And while the pair waits for the angel to switch them back, they discover what life is really like for each other and learn more about the trials and tribulations of the opposite sex. By the time Melody and Harrison are themselves again, they realize they can’t live without each other.

6.200111Cheeky and chock full of humor, Under My Skin lodges itself directly into the marrow of the audience’s funny bone.  Husband and wife writing team Robert Sternin and Prudence Fraser harmoniously weave comedy and social commentary with this production.  The good ole “make ‘em laugh” approach is a tried and true method of slipping in points of view that require introspection.   Along with adding new layers to the age old battle of the sexes debate, they also weigh in on the state of healthcare, or lack thereof, in our nation and how it affects the everyday, working American.

6.200112The neon lights of Broadway do burn bright. But sometimes they shine even brighter Off-Broadway. Under My Skin is one of the most dynamic shows I’ve seen in a while.  If you find yourself on 42nd Street, take a walk down to The Little Shubert Theatre for an thoroughly enjoyable 90-minute laugh-fest.

Photos: Joan Marcus

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Under My Skin Ticket Giveaway

That’s right FAMERS, it’s contest time!

F.A.M.E NYC is giving away a pair of tickets for Under My Skin, the new comedy in previews at The Little Shubert Theatre.  This production takes the battle of the sexes to new heights.  And one of you FAMERS could be the lucky winner if you can answer this question…

What iconic blue-eyed singer from Hoboken N.J. recorded a rendition of “I’ve Got You under My Skin?”

 The winner will be announced on Good Friday at 5 p.m.

Happy spring and good luck!

The Outing Urban Waves

Meet the Cast of The Outing

This Friday “The Outing” premiers at Open Hydrant’s Urban Waves Short Play Festival.  We thought our FAMERS would like to get the chance to know a little more about the actor playing Salome, the lead character, and the rest of the cast.

joebrondoJoe Brondo (Salome) is proud to be working with the Open Hydrant Theater Company.  Previous credits include “In The Next Room” or “The Vibrator Play” (HITfest), “Macbeth” (Round Table Theatre Company), “Sex, Relationships, & Sometimes Love” (Michael Chekhov Theatre Company), “A Chorus Line”, “Not About Nightingales and Follies” (Southampton Players), among others. He sends his love to his wife Jennifer.   F.A.M.E NYC had the opportunity to ask Joe a few questions about himself and the character he is playing in “The Outing.”
1.  What made you want to become an artist?

Being an actor allows me to be myself in more ways than I possibly could in real life.

2.  How has living in New York City shaped your journey as an artist?

I wish I lived in NYC! Right now when I am not in the city working on projects, I’m living and spending my time with my beautiful wife in East Hampton.   I love New York City for the incredible amount of varied opportunities available for creativity and collaboration – and the food!

3.  When you summon the creative gods to assist you with your work, who do you pray to?

I am inspired most by my family and friends, and by listening to good music from all genres.  I find that music can be almost as helpful as spending time with a good friend or loved one to inspire me.
4. What aspect about the character you are playing in “The Outing” intrigued you most? 

I am very intrigued by Salome’s strength – I feel very lucky to be allowed to play such a strong, self-confident and positive woman.

5.  If you were asked to describe “The Outing” to someone using three words, which words would you pick?

Don’t Waste Life

Brondo will be participating in a 10 minute play festival with the Abingdon Theater Company on April 7. You can find him on Twitter at @joebrondo.

 

SONY DSCJosephine Pepa (Jizelle) Her credits include: New World Symphony, DATCO (NYC), New York State Summer School of the Arts (NYSSSA), touring internationally with Latin Grammy award winning group Orishas and universal recording artist singer Beatriz Luengo.   She is currently singing back up for such programs as “X Factor Mexico”, “Mira Quien Baila”, as well as working on her own material and blogging about her artistic adventures.

 

IMG_6639Ashley Marie Ortiz (Jasmine) is a New York based actress/artist.  She is excited to be a part of Open Hydrant Theater Company’s Urban Waves Short Play Festival. After graduating from the University of North Carolina at Greensboro with a BFA in Acting, she decided to make the big move to NYC.  She is member of INTAR’s UNIT52, a proud volunteer of The 52nd St Project, and happy to be a part of Amios’ SHOTZ! once a month.

 

photo1KENNY TORRES (Train) is proud to be performing with Open Hydrant Theater Company’s Urban Waves Short Play Festival in his first theatre production. His feature debut in film was in the experimental piece “Liberta” by Edson Poaiti. His screenplay “Emilio” is currently being developed with Enyi Entertainment. Also a poet, his work has been performed at Nuyourican Poets Café in Manhattan.

 

unnamedChristin Eve Cato (Director) is a New York based artist with a background in performing arts and play-writing. She is a member of the Bats, the resident acting company of the Flea Theater, a junior board member for Theater Resources Unlimited, and a member of New York Women in Film & Television. Christin is also co-founder of Manifest Alchemy, a new platform/community for Independent filmmakers to showcase their talents, specializing in Mini-Movies, documentaries, and web shows. She is excited to join Urban Waves team at Open Hydrant in her directorial debut!

Photos provided by cast members

The Outing

Afrika Brown’s The Outing Premieres At Open Hydrant’s Spring 2014 Festival

In 2009 Afrika Brown founded F.A.M.E NYC as a part of her journey as an artist and to tell the stories of NYC’S arts community.  F.A.M.E NYC is proud to announce that our beloved founder and editor will have her one of her plays premiere at Open Hydrant’s Urban Waves Spring 2014 Festival.

Afrika has a question for all FAMERS: What’s the “T”?

What is truth?  Everyone knows what the truth is, but when the truth is revealed….how easy is it to accept?  Can you accept your truth or someone else’s truth when it finally comes out?

“The Outing” is a captivating drama centering on three individuals who reveal a certain truth about themselves and the acceptance or nonacceptance of life outside the closet.   Brief yet penetrating, “The Outingaims to hit the audience straight between the eyes with the speed and power of an Ali punch. As these characters learn to deal with the truth about themselves, the audience is also left to determine how the hidden truths of their life would affect the course of their life if they were to expose them.

Founded by Luis Cardenas, Sarah Rosenberg (stars of the Showtime documentary Shakespeare High) and Deborah Pautler, Open Hydrant’s mission is to vitalize the Arts and Theater scene in the Bronx. Their wish is to create an ensemble based company of actors, directors, playwrights, producers and artists to better serve the cultural invigoration of the South Bronx. The creative spirit of New York City doesn’t just reside in Manhattan.  As the Bronx’s first professional AEA ensemble theater company, Open Hydrant is determined to make the BX a destination for citizens of all five boroughs and the tri-state area.

Open Hydrant Theater Company’s Urban Waves Spring 2014 Short Festival runs from March 28 -30 at The Point, located at 940 Garrison Avenue, Bronx NY.  Showtimes for each day are as follows: March 28th 7:30 pm, March 29th 3:00 pm & 8pm, March 30th 3:00 pm.  Below is the link to pre-order tickets.  If you pre-order them you get $5 off.  Also, each ticket includes a drink.  Now that is definitely worth the price of admission.  Please tell a friend, who knows a friend, who knows a friend!  We hope all FAMERS will support our founder!

http://m.bpt.me/event/605593