3.201816

Top Five Reasons to Go See The Phantom of the Opera

The Phantom of the Opera is a Broadway staple.  It’s one of the productions that tourists come to New York City to see.  Last year it celebrated its 25th anniversary on Broadway making it the longest running show in the history of The Great White Way.  With grosses over $800 million, it’s the most financially successful theater production to date.  In May The Phantom of the Opera made history once again by adding the first Phantom of color, actor Norm Lewis.

The Phantom of the Opera began its epic run on Broadway in 1988 and after 26 years it still packs in the crowds.  One might think that after all this time this musical juggernaut might have lost its steam – what with all the new productions dealing with more modern issues – but there is a reason why classics never die.  If you haven’t seen The Phantom of the Opera, I’m here to tell you that you should and I have five good reasons to back me up.

4.2018005. Unrequited Love

The Phantom of the Opera intertwines this theme into the beauty and the beast subplot.  The Phantom in all his grotesque glory loves Christine Daaé, a beautiful young soprano.  So much so that he will kill to ensure her success at the French opera house.  She is his muse and musically they do share a connection, but his disfigured face and criminal behavior prevents her from conceiving of the possibility of returning his love.  Another complication for The Phantom is the reemergence of Raoul, the Vicomte de Chagny, Christine’s childhood playmate and first love.  Everyone has their favorite fables about unrequited love.  Wuthering HeightsGone With the WindThe Phantom of the Opera definitely ranks up there with the greatest love stories told on stage or screen.

5.2018144. Norm Lewis

There is a new Phantom in town and his name is Norm Lewis.  Stepping into a role as iconic as the Phantom can be quite the undertaking, 25 years and several other Phantoms before you, and every die-hard Phantom fan has their favorite.  But Lewis holds true to magic and sinister nature of the Phantoms before him.  In fact, he adds another dimension to the story of a brilliant man forced to hide in the shadows of an opera house because of the way he looks and is driven mad by the isolation and rejection.

4.2018013.  Sierra Boggess

Sierra Boggess has been playing the role of Christine Daaé in various productions since 2006.  She first played the role in a production of The Phantom of the Opera in Las Vegas.  She played Christine in the sequel to Phantom, Love Never Dies.  On Broadway, she reprised the role in 2013 for a six-week engagement. In March, it was announced that she would return along with Norm Lewis.  As soon as Boggess utters the first note you can tell how familiar she is with the role.  Her voice fills the Majestic Theatre with a power and tenderness that can be felt from the orchestra to the mezzanine.  If you are not a fan of opera, Boggess will make you one or at the very least you will have a greater appreciation for the craft.

3.2017992.  Andrew Lloyd Webber and Charles Hart

The music of The Phantom of the Opera was composed by Andrew Lloyd Webber with lyrics written by Charles Hart and additions from Richard Stilgoe, who also wrote the book with Webber.  The music and lyrics are one of the reasons why The Phantom of the Opera is the most successful theater productions on Broadway and around the world.  Just hearing the entrancing number “The Music of the Night” is enough to fill seats or the beautiful exchange between Raoul and Christine in “All I Ask of You”; the music and lyrics captivates the audience from beginning to end and gloriously illuminates the genius of Andrew Lloyd Webber.

3.2018101.  It’s an authentic theater experience

From the lavish sets and costumes, the music and lyrics, to the performers, The Phantom of the Opera harkens back to a time when going to the theater was a complete transformation into another world and the audience felt lucky to be a part of it because it was happening live in front of them.  The pageantry and opulence of The Phantom of the Opera holds a mirror to the mediocre productions that somehow get backing and land on Broadway and says, “Tisk…tisk…tisk.  This is how you create theater.”  Simply put, they just don’t make ‘em like this anymore and no matter your age or generation quality is quality.  And the fuel that runs The Phantom of the Opera is excellence.

Photos by Matthew Murphy

THE OUTING

MEET THE CAST OF THE OUTING

headshot2Stone Hubbard (Salome) Stone is honored and grateful to play the role of Salome in the production of THE OUTING.  Stone is also known for his role as Bontemps in The Devil, Kerry in Damaged Goods, and Manolo in The Odd Couple.  Stone studied acting at Booker T. Washington High School for the Performing and Visual Arts before moving to Los Angeles to pursue his career. He is also a talented designer with a specialty in handbags. He loves live music and good company. Stone wishes to thank his Mom and Victoria for their unyielding love and guidance.

ChablisChablis Quarterman (Jizelle) Chablis is a freckly, 21-year-old, half Puerto Rican, half English native New Yorker. She studied Theater at LaGuardia High School of Music & Art and Performing Arts, and has been performing stand-up comedy around the city for the past two years. She is excited to be a part of Manhattan Repertory Theatre Company’s festival.

EileenRyckman_Web1Eileen Ryckman (Jasmine) originally from Michigan, Eileen has performed on stage in such plays as 12 Angry Jurors and The Water Engine.  She has also worked on a number of short films and has an acting credit on Celebrity Ghost Stories.  She has studied acting at T. Schreiber Studio and NYU.  Eileen is also a marathon runner having officially completed three 26.2 mile races including the 2013 New York City Marathon.

ImanIman Ward (Robin) Iman is a Southern California girl now calling New York City her home. She is a recent graduate from the American Musical and Dramatic Academy in the Studio Acting program. During her training, she’s been blessed with the opportunity to play the roles of: Veronica in The Motherfucker With The Hat, Helena in Alls Well That Ends Well, Rose in Fences, and Young Laveer/Laveer in Long Time Since Yesterday.  Prior to her training at AMDA, she extensively studied improvisation at The Second City, which led to her own improv troupe playing on the theater’s main stage weekly. Iman is now currently studying at The Pearl Theatre by instructor Dan Daily.

Natalie Birriel (Train) Natalie is so excited and grateful to be working on such a significant and beautiful piece of theatre.   Theatre credits include: Christopher Ashley’s Dram of Drummhicit at La Jolla Playhouse, Three Sisters:Awake at New York Theatre Workshop,  Man Hat Wife, Baldwin New Play Festival, Marisol(ws) at Williamstown Theatre Festival. Natalie possesses a MFA from UC San Diego and sends infinite love and gratitude to my family.  

Luis Cardenas 8_20_07125 (2)Luis Reyes Cardenas (Director) Off-Broadway: Fools in Love; Manhattan Ensemble Theater/BAM. NY: Balm in Gilead, Barefoot Theatre Company, Tempest Toss’d,NYMF. Playwright: Last Exit in New York, Aint Gonna B E Z, Play the Papers for Lupe, Boys Like Me. Film: Shakespeare High, Executive Producer, Kevin Spacey. Regional: The Drowsy Chaperone, Evita, Tommy, Big River, Little Shop of Horrors, Angels in America. Producer:  FutureFest, FNAM, Co-Artistic Director/Founder of Open Hydrant Theater Company/Director of SNFI Individual Events at Stanford University. www.openhydrant.org and www.shakespearehigh.org.

THE OUTING

The Outing Is Coming OUT This Summer

Ten years ago playwright Afrika Brown decided to use an assignment to take a decade’s worth of experiences and combine them into a one-act play, thus THE OUTING was born.  After 10 years, THE OUTING made its premiere this spring at Open Hydrant Theater Company’s Urban Waves Spring 2014 Short Festival in the Bronx.   But the coming out party for this one-act drama hasn’t stopped there.   THE OUTING is taking Manhattan by storm, first playing at Manhattan Repertory Theatre’s Summerfest this month and in August THE OUTING will appear in the Strawberry One-Act Festival.

In THE OUTING Afrika Brown poses one question: What’s the “T”?

What is truth?  Everyone knows what the truth is, but when the truth is revealed….how easy is it to accept?  Can you accept your truth or someone else’s truth when it finally comes out?

THE OUTING is a captivating drama centering on three individuals who reveal a certain truth about themselves and the acceptance or nonacceptance of life outside the closet.   Brief yet penetrating, THE OUTING aims to hit the audience straight between the eyes with the speed and power of an Ali punch. As these characters learn to deal with the truth about themselves, the audience is also left to determine how the hidden truths of their life would affect the course of their life if they were to expose them.

Manhattan Repertory Theatre’s Summerfest is located at 303 West 42 Street, 6th Floor.  Performance Dates and Times for are as follows:  Wednesday June 18 at 7 pm, Friday June 20 at 7 pm, Saturday June 21 at 7 p.m.  Tickets are $20 and can be purchased at MRTRESERVE@GMAIL.COM.

The Strawberry Festival will play at the Theatre at St. Clement’s, 423 West 46 Street. Performance Date and Time for the festival is:  August 24 at 4:00 p.m. Tickets are $20 and can be purchased online at www.therianttheatre.com.

20140521_161935

Delicious Eats Await At The Derby

In a city where neighborhoods reinvent themselves with same speed as Madonna, hearing that a new restaurant has sprung is just par for the course.  The Lower East Side is just one of many NYC neighborhoods that is shedding the skin of its past, and I just got the scoop on a new place that you and your peeps will want to make your “old haunt” very fast.

20140521_161810The name is The Derby and it opened a little over a month ago.  Located at 167 Orchard Street this eatery specializes in biscuits and bourbon and southern cuisine standards such as cheddar grits, chicken fried steak and baked macaroni and cheese.   The music creates a cool eclectic, vibe.   The décor is a mash-up between bar at Churchill Downs and a scene from The Great Gatsby with a speakeasy located in the basement – a great setting for a private get together.

20140521_161824I know what you’re thinking, the vintage furnishings sound nice, but how is the food?  Well FAMERS…the food is scrumptious.  I suggest the fried chicken, if you’re looking to have a cheat day on your diet.  The pieces are fried to golden perfection and the meat is juicy.  It comes with a side of fried okra and let me tell you, any place that can get me to like okra gets high marks in my book.

20140521_161954If this place was running in the upcoming Belmont Stakes, I would put my money down on The Derby.  It’s a shoo-in and a cool place to have a bite to eat in the summertime.  And if you do, say hello to Gabe, the restaurant’s manager.   He’s very personable and a definite added attraction.  Good food, good vibe, good people, good prices…there is nothing not to like about The Derby.

Urban Waves Summer Shorts

Urban Waves Has The Bronx Simmering With It’s Summer Shorts

The unofficial start of summer is here and Urban Waves @ Open Hydrant is raising the temperature uptown with their Summer Short Play Festival. The three day festival begins on June 6 and ends on June 8.  The plays participating in this festival are  The Three Joys of Mary, Heat of the Moment, Last Exit in New York, Billboard’s Greatest Hits and Fire.

Founded by Luis Cardenas, Sarah Rosenberg (stars of the Showtime documentary Shakespeare High) and Deborah Pautler, Open Hydrant’s mission is to vitalize the Arts and Theater scene in the Bronx. Their wish is to create an ensemble based company of actors, directors, playwrights, producers and artists to better serve the cultural invigoration of the South Bronx. The creative spirit of New York City doesn’t just reside in Manhattan.  As the Bronx’s first professional AEA ensemble theater company, Open Hydrant is determined to make the BX a destination for citizens of all five boroughs and the tri-state area. Urban Waves, a subset of Open Hydrant, explores material that contain edgier themes.

Urban Waves @ Open Hydrant Summer Short Play Festival will be held at The Point, located at 940 Garrison Avenue.   Advance tickets can be purchased for$12 online at http://www.brownpapertickets.com.  The ticket price also includes one drink.  Don’t be afraid to haul your cookies to SoBro to view  good theater.  Open Hydrant and Urban Waves are the best thing to come out of the Bronx since hip hop!

UMS_305x225

Under My Skin Ticket Giveaway

That’s right FAMERS, it’s contest time!

F.A.M.E NYC is giving away a pair of tickets for Under My Skin, the new comedy in previews at The Little Shubert Theatre.  This production takes the battle of the sexes to new heights.  And one of you FAMERS could be the lucky winner if you can answer this question…

What iconic blue-eyed singer from Hoboken N.J. recorded a rendition of “I’ve Got You under My Skin?”

 The winner will be announced on Good Friday at 5 p.m.

Happy spring and good luck!

20140403_180441_8

The Browning of The American Dream

The Lower East Side is known for being home to famous Latino artists such as poet Miguel Pinero, artist George Lee Quiñones and poet and activist Clemente Soto Vélez.  Soto Vélez was known for mentoring many generations of artists in Puerto Rico and NYC.  His legacy impacted the cultural, social and economic lives of Latinos worldwide.  So it’s befitting that an exhibit that questions the Latino’s role in achieving the American Dream, and even pokes fun at it, should premier at the center bearing his name.

20140403_182437On April 3 Make ‘Em All Mexican debuted at The Clemente Soto Vélez Cultural & Educational Center.   Conceptualized by L.A. based artist Linda Vallejo, MEAM is her satirical solution to a familiar question: “Where do I fit into the American Dream?”  Vallejo’s answer is a comedic, yet thought provoking look at American iconography from a Chicano point of view.  She takes old photographs, figurines and dolls and gives them a tan shellacking thereby providing them a new purpose, new meaning.

Just imagine…John, Paul, George and Ringo with brown faces and how that drastic change in skin color would’ve affected their role in history and pop culture.  Or the Flintstones…how would different would Bedrock be if Fred and Barney had brown skin, with Barney’s skin being a couple shades darker than Fred’s once again questioning how skin color plays a role within one’s ethnicity.  These are the types of scenarios that are explored through Vallejo’s work.

20140403_183324Over 30 pieces are displayed in the exhibit, some making the literal transformation to brown while others, like The Empire State Building glazed in a cocoa tint, are more esoteric in its challenge of The American Dream.  Aristocrats, founding fathers, Norman Rockwell, even John Belushi doesn’t get spared in Vallejo’s recoloring of American/pop imagery.  Looking at the Superman bust all glistening in candy coated caramel made him appear more animated.

While I had seen photographs of the work, the pieces were extremely dynamic in person.  When displayed together, I felt as if I had stepped into a surreal universe; one that was actually closer to the world I lived in.  As I walked around the room, I began to realize why the work fascinated me.  When I was a girl my father, an avid collector of antiques, brought home two lawn jockeys, only these jockeys didn’t have the traditional jockey outfit, these boys were barefoot slaves.  I asked my dad what he was going to do with them.  He simply said, “I’m going to paint them.”  He told me the history of these boys, how they were a symbol of the racism that is embedded in the core of this country.  Slowly, I watched these slave boys transform.  With primer and a few coats of paint to their skin, I began to see their features more clearly.  I saw their personalities bloom in the colors my father chose for their clothing. The lanterns were replaced with flags.  The sepia-skinned boy held the red, black and green colors of the Black Liberation flag.   The dark-skinned statue held the flag of The African National Congress.  Through this makeover these boys had a new purpose; they were the embodiment of pride.  They instilled pride in me as well.

20140403_192515Growing up watching those boys in my backyard, from my bedroom window gave me a constant reminder of my roots.  It also made me realize that “The American Dream” also belonged to me, that it came in multiple hues, not just red, white and blue.  It is my belief that Make ‘Em All Mexican will do the same for Latinos.  Make ‘Em All Mexican is on display until April 27.  FAMERS get down to The Clemente Soto Vélez Cultural & Educational Center and get yourself a good dose of brown.

 

The Outing Urban Waves

Meet the Cast of The Outing

This Friday “The Outing” premiers at Open Hydrant’s Urban Waves Short Play Festival.  We thought our FAMERS would like to get the chance to know a little more about the actor playing Salome, the lead character, and the rest of the cast.

joebrondoJoe Brondo (Salome) is proud to be working with the Open Hydrant Theater Company.  Previous credits include “In The Next Room” or “The Vibrator Play” (HITfest), “Macbeth” (Round Table Theatre Company), “Sex, Relationships, & Sometimes Love” (Michael Chekhov Theatre Company), “A Chorus Line”, “Not About Nightingales and Follies” (Southampton Players), among others. He sends his love to his wife Jennifer.   F.A.M.E NYC had the opportunity to ask Joe a few questions about himself and the character he is playing in “The Outing.”
1.  What made you want to become an artist?

Being an actor allows me to be myself in more ways than I possibly could in real life.

2.  How has living in New York City shaped your journey as an artist?

I wish I lived in NYC! Right now when I am not in the city working on projects, I’m living and spending my time with my beautiful wife in East Hampton.   I love New York City for the incredible amount of varied opportunities available for creativity and collaboration – and the food!

3.  When you summon the creative gods to assist you with your work, who do you pray to?

I am inspired most by my family and friends, and by listening to good music from all genres.  I find that music can be almost as helpful as spending time with a good friend or loved one to inspire me.
4. What aspect about the character you are playing in “The Outing” intrigued you most? 

I am very intrigued by Salome’s strength – I feel very lucky to be allowed to play such a strong, self-confident and positive woman.

5.  If you were asked to describe “The Outing” to someone using three words, which words would you pick?

Don’t Waste Life

Brondo will be participating in a 10 minute play festival with the Abingdon Theater Company on April 7. You can find him on Twitter at @joebrondo.

 

SONY DSCJosephine Pepa (Jizelle) Her credits include: New World Symphony, DATCO (NYC), New York State Summer School of the Arts (NYSSSA), touring internationally with Latin Grammy award winning group Orishas and universal recording artist singer Beatriz Luengo.   She is currently singing back up for such programs as “X Factor Mexico”, “Mira Quien Baila”, as well as working on her own material and blogging about her artistic adventures.

 

IMG_6639Ashley Marie Ortiz (Jasmine) is a New York based actress/artist.  She is excited to be a part of Open Hydrant Theater Company’s Urban Waves Short Play Festival. After graduating from the University of North Carolina at Greensboro with a BFA in Acting, she decided to make the big move to NYC.  She is member of INTAR’s UNIT52, a proud volunteer of The 52nd St Project, and happy to be a part of Amios’ SHOTZ! once a month.

 

photo1KENNY TORRES (Train) is proud to be performing with Open Hydrant Theater Company’s Urban Waves Short Play Festival in his first theatre production. His feature debut in film was in the experimental piece “Liberta” by Edson Poaiti. His screenplay “Emilio” is currently being developed with Enyi Entertainment. Also a poet, his work has been performed at Nuyourican Poets Café in Manhattan.

 

unnamedChristin Eve Cato (Director) is a New York based artist with a background in performing arts and play-writing. She is a member of the Bats, the resident acting company of the Flea Theater, a junior board member for Theater Resources Unlimited, and a member of New York Women in Film & Television. Christin is also co-founder of Manifest Alchemy, a new platform/community for Independent filmmakers to showcase their talents, specializing in Mini-Movies, documentaries, and web shows. She is excited to join Urban Waves team at Open Hydrant in her directorial debut!

Photos provided by cast members

The Outing

Afrika Brown’s The Outing Premieres At Open Hydrant’s Spring 2014 Festival

In 2009 Afrika Brown founded F.A.M.E NYC as a part of her journey as an artist and to tell the stories of NYC’S arts community.  F.A.M.E NYC is proud to announce that our beloved founder and editor will have her one of her plays premiere at Open Hydrant’s Urban Waves Spring 2014 Festival.

Afrika has a question for all FAMERS: What’s the “T”?

What is truth?  Everyone knows what the truth is, but when the truth is revealed….how easy is it to accept?  Can you accept your truth or someone else’s truth when it finally comes out?

“The Outing” is a captivating drama centering on three individuals who reveal a certain truth about themselves and the acceptance or nonacceptance of life outside the closet.   Brief yet penetrating, “The Outingaims to hit the audience straight between the eyes with the speed and power of an Ali punch. As these characters learn to deal with the truth about themselves, the audience is also left to determine how the hidden truths of their life would affect the course of their life if they were to expose them.

Founded by Luis Cardenas, Sarah Rosenberg (stars of the Showtime documentary Shakespeare High) and Deborah Pautler, Open Hydrant’s mission is to vitalize the Arts and Theater scene in the Bronx. Their wish is to create an ensemble based company of actors, directors, playwrights, producers and artists to better serve the cultural invigoration of the South Bronx. The creative spirit of New York City doesn’t just reside in Manhattan.  As the Bronx’s first professional AEA ensemble theater company, Open Hydrant is determined to make the BX a destination for citizens of all five boroughs and the tri-state area.

Open Hydrant Theater Company’s Urban Waves Spring 2014 Short Festival runs from March 28 -30 at The Point, located at 940 Garrison Avenue, Bronx NY.  Showtimes for each day are as follows: March 28th 7:30 pm, March 29th 3:00 pm & 8pm, March 30th 3:00 pm.  Below is the link to pre-order tickets.  If you pre-order them you get $5 off.  Also, each ticket includes a drink.  Now that is definitely worth the price of admission.  Please tell a friend, who knows a friend, who knows a friend!  We hope all FAMERS will support our founder!

http://m.bpt.me/event/605593

 

 

MEAM Superman

F.A.M.E NYC Recommends Make ‘Em All Mexican

Elvis is known as the king, but what if his last name was Chavez and instead of being the king of rock ‘n roll, he was the king of Tejano?  Marilyn Monroe has remained the pinnacle of Hollywood beauty and sex appeal for over 50 years, but what if her last name was really Martinez?  What if Superman was actually an Aztec warrior from another plane of existence instead of an alien from another planet?  What if this nation’s founding fathers actually migrated from Mexico instead of Great Britain?  Elvis Chavez…Marilyn Martinez…George Washington with a permanent tan?  How would these modifications change the course of American history and iconography if they were true?  If you have ever pondered questions like these, then I’ve got something to share with you.

Vallejo5-182x300FAMERS, I’ve got the scoop on something hilariously provocative coming this way via the other coast.  Beginning next month the Lower East Side’s Clemente Soto Vélez Cultural & Educational Center will play host to a Chicano invasion courtesy of L.A. based artist Linda Vallejo.  For 20 years Vallejo’s work had been influenced by her study of ancient culture, architecture and symbols.  In recent years, Vallejo has taken memories of growing up in the segregated South during the 1960s and her experiences as a Mexican-American, Chicana to produce a new series titled “Make ‘Em All Mexican.”

“Make ‘Em All Mexican” uses cheeky wit to address a larger topic, which can be drilled down to one fact, the skin we are born in colors our perception of the world and our experiences.  Although it speaks to the Latino/Mexican-American/Chicano conundrum directly, it’s by no means a show for Latinos exclusively.  In fact, members of all minority groups in this country have a story that is reflected in this exhibition.  It’s a springboard in which we can all dive deeper into the issues that fester in the stitches of the stars and stripes.  “Make ‘Em All Mexican” is ripe for the Big Apple, adding an essential dash of spice to melting pot of this city.  I got an opportunity to speak with Linda as she prepares to bring her show to Manhattan.  She answered a few questions about herself and the importance of the show.

1.    What made you want to become an artist?

I have always been an artist.  I think I was born that way.  My first experience was at four-years-old in kindergarten.  We were finger painting on large pieces of paper with an egg drawn on it for Easter.  I was on my knees with my hands in the paint and I can still remember the smell.  I loved it and I knew it.  I was also very fortunate to have a first grade teacher that used literature to inspire painting projects.  We would read a book and then go to the back of the classroom to paint with easels and brushes on large pads of paper.  I won several prizes and loved the literature/visual art link which still inspires me today.  I sang as a young girl in the church choir and painted.  At twelve, I was playing guitar, writing music and painting.  In high school, I designed clothes, wrote music and painted, and in college I worked in theater, wrote music and painted.  All my life.  An artist is simply an artist.  We can’t help it…we’ve just got to live it.

2.    New York City has a large Hispanic population. As a west coast based artist how important is it to you for this show to be seen in NYC and why?

All my colleagues in Los Angeles are very happy that I’m taking the work to New York.  New York shows mean a great deal to any artistic career.  “Brown” isn’t just a West Coast/Los Angeles/Mexican phenomenon, the politics of color is a global issue.  I am very excited to connect with Mexicanos, Cubanos and Puerto Riquenos in New York to expand the conversation, share our stores and heal some wounds.  A positive response from the New York arts community would certainly give MEAM additional cache as New York is still considered the center of the art world.

3.    When you summon the creative gods to assist you with your work, who do you pray to?

I ask the Sacred Four Directions, Mother Earth, Father Sky, and Great Spirit to help me create an image with meaning and purpose.

4.    Today…right now, which piece out of “Make ‘Em All Mexican” is your favorite and why?

I’m enthralled with the new larger series of sculptures including “Super Hombre.”  It took weeks to find a 1:1 ratio/life size bust of Super Man.  My fabricator, Chino, is a car body specialist and a perfectionist.  I have been working with him for months on this new series that creates a “car culture sub-text” by painting repurposed sculpture “as if they were cars” including metal flake, hand painting, and chrome details.  The result is a luscious chocolate coating that many say is “good enough to eat!”  One person said, “Super Hombre” is “Chocoliscious!” or “I want to lick it!”

First the viewer laughs out load, then she or he is seduced by the luscious edible beauty of the object itself, and then the questions start pouring in:  Is brown good enough?  Can brown be beautiful? Can a superhero be brown? The answers are, absolutely!  There are five of these larger works and three of them will be in NYC, but I’m only sharing the additional images with those that make it to the show in New York.

5.    If you were asked to describe “Make ‘Em All Mexican” to a New Yorker using three words, which words would you pick?

Brown is beautiful!

“Make ‘Em All Mexican” opens at Clemente Soto Vélez Cultural & Educational Center, located at 107 Suffolk St, on April 3 and includes an artist talk and discussion.  FAMERS don’t wait until Cinco de Mayo to channel your inner Chicano.  Get down to the barrio of the Lower East Side and get a good dose of artistic consciousness.