John Grisham’s A Time to Kill Is Broadway Ready

A Time to Kill has been captivating audiences for over 20 years.  The novel, which eventually became a best-seller, was first published in 1989.  In 1996, Matthew McConaughey, Sandra Bullock, Samuel L. Jackson and Kevin Spacey starred in the film version.  Adapted for the stage by Tony award-winning playwright Rupert Holmes, A Time to Kill explores the undercurrent of race in our justice system.  A 10-year-old black girl is savagely raped, beaten, almost lynched and left for dead.  The two perpetrators are shot and killed at the courthouse by the girl’s father, Carl Lee Hailey.  Hailey is arrested and charged with first degree murder sparking tensions that had bubbled underneath the surface of a Mississippi town and subsequently gained nationwide attention.   Hailey hires Jake Brigance, a white attorney, as his defense lawyer.  Receiving advice from his disbarred mentor and much needed assistance from a pushy Bostonian intern, Jake begins to build an insanity defense for Carl Lee, while receiving death threats from Ku Klux Klan.  In court he tangles with Rufus R. Buckley, a superstar district attorney on his way to the governor’s office.  And while explosions erupt in and out of the courtroom, Jake uses an impassioned plea to get the jury to acquit Carl Lee.

timetokillThe plot of A Time to Kill is well-known, it’s robust and meaty.   I liken Rupert Holmes’ A Time to Kill to a fillet – some parts are stripped away but there is still enough meat for the audience to sink its teeth in.  The actors of this production had some pretty large shoes to fill considering some of the biggest names in Hollywood performed these characters on screen; the comparisons to the actors of the film are inevitable.  Led by Sebastian Arcelus, who plays Jake Brigance, each member of this cast turn in a fair performance.  Veterans Tom Skerritt and Fred Dalton Thompson offer great portrayals of Lucien Wilbanks and Judge Omar Noose.  Skerritt was as charming as ever as Lucien and Thompson’s feisty Judge Noose was a pleasure to watch, however it’s still the relationship between Jake Brigance and Carl Lee Hailey that drives this story.  Sebastian Arcelus and John Douglas Thompson showed promise as Jake and Carl Lee.

A Time to Kill received negative reviews when it played in D.C. in 2011, but the creative team appears to have worked out some of the kinks and the Broadway version is more solid.  Whether you have read the novel or saw the movie, this adaptation of A Time to Kill ultimately provides its audience with a thought-provoking experience and is a good addition to the legacy of one of John Grisham’s most recognized stories.

Buddy the Elf Comes To Broadway

 

Buffalo two step over Rockettes, this year Buddy the elf descends on Manhattan to spread some hilarious holiday cheer to the world’s most impatient, rude and skeptical citizens.  This Christmas, Broadway gets into the ho-ho-ho spirit of the holidays in a major way with Elf, a new musical based on the 2003 comedy starring Zooey Deschanel, James Caan and the hysterical Will Ferrell. 

Much like the movie Elf tells the story of Buddy, a human who grows up in Christmastown amongst Santa and his elves and believes he too is an elf.  Upon discovering that he is actually human, he also learns his father is Walter Hobbs – a man that does not believe in Santa, is on Santa’s naughty list and lives in New York City.  Determined to build a connection with his father and prove that he is the world’s greatest son, Buddy sets out for the Big Apple to find Walter and spread the spirit of Christmas to New Yorkers – a necessary commodity considering Santa’s sleigh is powered by the people’s belief in Christmas. 

 

Upon arriving in New York City Buddy finds that his father has a new family, a demanding job publishing children’s books and has no time for them or him.  Eventually, Buddy does develop a relationship with his family, and along the way he delivers Christmas cheer to Macy’s, falls in love with a girl, gives his dad a great idea for new Christmas tale and helps raise Santa sleigh after he crashes in Central Park by convincing New Yorkers to believe in Santa and the true meaning of Christmas.

Elf is not just a regurgitated story with song and dance routines crammed haphazardly throughout the show, instead it is a cultivated production enhanced by super cute music and lyrics.  Songs like “Christmastown”, “A Christmas Song”, “Never Fall in Love” and “The Story of Buddy the Elf” are catchy tunes that will add to your roster of favorite X-Mas jingles.  The simple choreography works well with the upbeat music.  Elf is not overly complicated theatre.  It is a feel good family musical about the most wonderful time of the year.  And the cast help to make this make this musical an above average film to theatre adaptation.

 

Sebastian Arcelus is a delight as the naïve, sugary sweet Buddy.  His childlike demeanor is endearing and hilarious.   Amy Spanger is entertaining as Jovie, Buddy’s love interest.  Mark Jacoby as amusing as Walter Hobbs, the hard-ass that discovers he has a new son and a heart.  Beth Leavel and Matthew Gumley are equally enjoyable as Emily and Michael Hobbs.  Their duets are two of the best numbers in the show.  George Wendt as Santa can bring a smile to anyone’s face.  The sets are interactive and animated and are reminiscent of a children’s 3D pop up book.

 

 

The true charm of this production is that it is giddy, warm-hearted and leaves you with cozy, nostalgic feelings about Christmas – a necessary commodity since Christmas today seems more about ensuring retailers make their bottom line than spending time with loved ones, showing kindness to your neighbor and the birth of Jesus.  Elf is playing at the Al Hirschfeld Theatre until January 2 and will bring out the kid in everyone.  I recommend it for anyone that needs a good ole dose of Christmas spirit.  You will have Sparklejollytwinklejingley time!

Photos: Joan Marcus