The Radiance of a Rainbow

A journey begins with a single step.  When someone steps passes through the threshold of Raandesk Gallery to view the exhibition of South Korean artist Jihay Kang’s A Single Journey, the caravan one embarks on is one of canvases bursting with prisms of color. 

Jihay Kang’s artwork is a potent concoction of materialism and subtle statements in bold multi-hues.  Her use of color is the catalyst that draws the viewer in, but it is her use of iconography that keeps the viewer’s feet glued in front of her paintings.  Her use of color is extremely whimsical and feminine, which is the component that makes her work a refreshing take on contemporary art. 

One would be hard press to view her work and not become flooded with feelings of happiness and nostalgia.  Her use of stenciling gives her work a rich texture and reminds me of the patterns found in my mother’s lace curtains.  But it is the application of the Mickey Mouse silhouette that made Jihay Kang’s A Single Journey an excursion worth taking.

The clever appearance of the iconic Disney character’s silhouette shows how much pop culture dominates our world.  The Disney brand is recognized as a multimedia conglomerate, but it also can be seen a vehicle for mass consumerism.  Looking at Jihay Kang’s art allowed me to remove my jaded adult contact lenses and look at the Disney brand with the same exuberance I had when I was a child watching Fantasia and Cinderella.   Jihay Kang’s art is the visual equivalent to eating a bag of Skittles – full of color and lots of fun.

 

Jihay Kang’s A Single Journey is on exhibition at Raandesk Gallery, 16 W. 23rd Street, until June 11, but you can also view Jihay Kang’s work online at http://raandeskgallery.com/artist.php?artistId=43

 Photos:  F.A.M.E NYC Editor

F.A.M.E NYC Remembers Lena Horne

Monday was Memorial Day and with remembering our fallen servicemen and women as well as reading about the deaths of Dennis Hopper and Gary Coleman over the weekend, I began to think about another icon we lost in May, Lena Horne.  Lena Horne was a New Yorker, phenomenal performer and the true definition of a legend.

When I first saw Lena Horne she had already been an international superstar several times over, but in my six-year-old eyes, she was Glinda the Good Witch of the South in The Wiz.   There she was larger than the Milky Way, residing in the heavens with babies as stars.  She guided Dorothy through her odyssey in Oz and gave her the keys to go back home when she sang “Believe in Yourself.”  And the way she sang it, you could hear the fight to never give up in her tone.  She commanded that not only Dorothy but all of us believe in ourselves.  She stole the entire scene and brought tears to my eyes.  Even when I see the seen as an adult, I am still moved to tears.  But the fact of the matter was anytime Ms. Horne was in a scene; she became the center of attention.

Unfortunately I would come to learn that the list of Lena Horne movies was extremely short.  The sad fact was when she came to Hollywood Hollywood was not ready for the beauty, talent and grace of Lena Horne.  Because of her skin color she was generally relegated to performance feature spots where her parts could be edited out when the film was shown in southern theaters.  It was Hollywood’s loss, performances such as “Stormy Weather” in Panama Hattie proved why she was so magnetic.  Movies such as Cabin in the Sky and Stormy Weather allowed her to showcase all her talent, but her abilities as a vocalist is what she was most famous for.  Very few people could sing a standard like Lena Horne.  She was a multiple Grammy winner, receiving the Lifetime Achievement Grammy in 1989 and winning her last Grammy in 1995.  She also received a Tony Award, a star on the Hollywood Walk of Fame, as well as a Kennedy Center Honor. 

Although I am sure Lena Horne did not go to Hollywood to become a pioneer, she broke new ground in Tinsel town nonetheless.  Lena Horne made Hollywood realize that black women could me more than just maids.  If it was not for Lena Horne stars like Dianne Carroll, Dorothy Dandridge and many others would have had to work much harder for their success.  And her pioneering efforts did not just lend themselves to the stage.  She was a civil rights activist.  Even after she was blacklisted in Hollywood in the 50s for her political beliefs, Lena still choose to fight the good fight working with Eleanor Roosevelt to pass anti-lynching laws and performing and speaking at NAACP rallies as well as the March on Washington.

Appearing on shows such as The Cosby Show and The Muppets Lena Horne continued to be relevant, introducing herself to new generations and creating a fan base out of Generation Xers like me.  As she grew older she became the epitome of grace, style and ageless beauty and her “tell it like it is” demeanor was Brooklyn to the core.  As the 80’s reemerge in fashion and music, it seems that the downside of reliving the decade of my youth is the passing of stars that I idolize as a child.  Hearing about Lena Horne’s death on May 9 was like losing an aunt.  I would like to thank Lena Horne for teaching me to be classy and gracious regardless of the circumstance life may hurl at you and to never give up.  Most of all, I would like to thank her for telling me with vigor to believe in myself.

Luck of the Draw

Question, when did putting on used shoes and rolling heavy balls down the lane to score points become chic?  The answer is when Lucky Strike Lanes and Lounge came to Manhattan.  Luck Strike isn’t the type of bowling alley I remember as a child, it is a hip outing complete with an awesome lounge décor and great drinks, snack food and music.  Oh, and if you want to bowl, you can do that too.

Last Friday I ventured out to 42nd Street and 12 Avenue to attend the Models International press preview for the MTV Hired episode that features the bi-coastal modeling agency.  MTV Hired is a new show on the music network that features young adults trying to land their first gig in unique industries.  Models International is one of several high profile companies featured in the series.  Other employers included Steve Madden and American Rebel. 

The preview was held in the Luxe premium suite.  Every space of the room was utilized with people drinks and hand dancing, taking pictures, bowling and playing pool.   The DJ was spinning a set of the best in Hip Hop and R&B as the televisions overhead showed the episode.  The event was a good way to start a Friday night.  Kudos to Models International for selecting such a fashionable venue, next time you have a hankering to go bowling, I would definitely recommend making a night of it at Lucky Strike.

To learn more about Models International, MTV Hired or Lucky Strike, please visit www.mi-agency.com, http://www.mtv.com/shows/hired/series.jhtml, www.bowlluckystrike.com.

Photos:  www.bowlluckystrike.com 

Logo: www.mi-agency.com

Dancing In the Streets

The dancers of New York City were called and they answered with great force.  The fourth annual New York Dance Parade was held May 22nd and was a great kick off to the unofficial start of summer.  Over 160 organizations and 6500 dancers joined together to revel in streets of the Lower East Side for one major mash-up of expression. 

Parade goers were entertained by over 60 different styles of dance which included swing, ballet, contemporary, Brazilian Zouk and belly dancing.  Everyone knows that Manhattan is an exquisite tapestry of different cultures.  But New York City is also the birthplace of Hip Hop and House music and the dance styles that are associated with it.  Both Hip Hop and House performers participated in this parade.

Starting at East 21st Street, the dancers partied their way down Broadway, past St. Marks Place and down to Tompkins Square Park where a post parade dance festival was held.  On the main stage performers dazzled the crowd again with diverse styles of traditional and contemporary dance.  House music icon Jellybean Benetiz, one of the four grand marshals for the parade, served the crowd with a set of sizzling, soulful House music as people moved their arms, legs, hips and feet in celebration of a day that is all about individual expression.

Dance Parade Inc. is a non-profit organization.  According to their website, their mission is to promote dance as an expressive and unifying art form by showcasing all forms of dance, educating the general public about the opportunities of dance, educating the general public about the opportunities to experience dance, and celebrating diversity of dance in New York City by sponsoring a yearly city-wide dance parade and festival.  The sponsors for this year included Fela! The Musical, Pacha NYC, Flavorpill and the Lower Manhattan Cultural Council among others.   FAMERS, you can also contribute by texting ‘DANCE’ to 20222 to make a one-time donation of $5 that will be added to your mobile phone bill or you can make a donation via Pay Pal at www.danceparade.org

As a member of New York City’s underground House community, dance is an intricate part of my life.  Dancing is not only a way to express myself creatively; it is also my spiritual release.  It is my conversation with God, my connection to my ancestors, a fluid form of meditation and the most divine form of exercise that I have ever found.  Through Dance Parade Inc. I have learned that in 2006, a New York State Supreme Court ruled that dance is not a constitutionally protected form of expression, which is a fact I find shocking.  One may not possess the talent to create music or be able to bring dialogue to life, but the gift of movement, whether trained or not is something that we all possess.  Dance is one of the most genuine forms of expression we have.  Every culture or ethnic group that has ever existed had a way to express themselves through harmonious motion.  New York City has many parades, but the Dance Parade is the only parade that gives a vibrant voice to all New Yorkers instead highlighting one particular segment or group.  Watching the diversity of Manhattan communicated through dance is not only riveting, but very necessary.   I hope to see all my FAMERs next year.

Photos:  Marcus Simpson