SB Artwork 3

Meet The Cast of Slow Bullet, My Three Loves

Slow Bullet, My Three Loves tells the story of Rhea Davies, a thirty-something makeup artist.  While preparing to make her final transition, Rhea Davies is confronted by the men whom she loved the most and the relationships that shaped her world’s view.   In the middle of her breakdown she experiences a breakthrough.   Next month Slow Bullet, My Three Loves will make its world premiere at Manhattan Repertory Theatre’s Premiere Play Series May 18, 20 and 21.  So without further ado, F.A.M.E NYC would like to introduce you to the cast of Slow Bullet, My Three Loves.



Mahogany Reynolds is an award winning, beyond a triple-threat actress, from Detroit, Michigan. She performs a wide range of roles in film, TV and theatre that showcases her versatility. Mahogany graduated college with a Bachelor’s degree in Liberal Arts, and worked as a journalist, on-camera reporter, and television talk show co-host. Mahogany is often booked as an on-stage host for film festivals. As a philanthropist, she is the Founder/Executive Director of Just Be You Performing Arts; a mentoring and enrichment organization for aspiring young actors. Mahogany is a proud wife and devoted mother.!gallery/c199t.



Arthur started as a voice-over artist that shifted to acting after he landed the role of Delmar Irving in the film “Downshift.” He’s affiliated with Theatre Engagement & Action at Intersections International, whose play “Uniform Justice” performed at the 2015 Fringe Festival in NYC. Other stage credits include: “Fences” (Troy Maxon), “A Soldier’s Story” (Sgt. Waters), “Camp Logan” (Sgt. McKinney), “Amen” (Daniel Quinn), “The Musical Comedy Murders of 1940” (Sgt. Kelly), “I Don’t Know Why He Loves Me” (Rev. Cunningham), and Johnnie Cochran in the comedy “So You Think You’re Godd.”



Actor/ poet Bryant L. Lewis is a native New Yorker born and raised in the Bronx.   He studied theatre at Manhattanville College where he starred as Orlando in “As You Like It” by William Shakespeare and was featured in Haroun and The Sea Of Stories.”   A proud alumnus of The Possibility Project youth theatre program in NYC, Lewis participated for two seasons.  In 2014 Lewis played the DJ in “The Outing” by Afrika Brown as well as his breakout role as the Homeless Guy in  “Heat Of The Moment” by Syvaun Grullon.  Currently Lewis is starring as Nathan Strange in “Strange Fruit Redux” by Afrika Brown , which is touring various festivals nationwide.  Lewis is also the founder/ owner of O-Kaos productions Inc., a video production company that writes, produces and films its own skits and short films.



Lamar Richardson is a recent graduate of Columbia University. He hails from Charlotte, NC and loves to bring joy and laughter to everything he does. He prides himself on being an “actor on a faith journey to spread light and laughter in the industry.” He hopes to become a prominent artist in the New York theater community and strives to pave the way for those who will come after him. Lamar’s most recent credits include ‘Black Footnotes” at the Nuyorican Poets Cafe and the short film, ‘Running from the Dead.” Stay tuned!

Manhattan Repertory Theatre is located at 303 West 42nd Street, in the heart of Times Square.  Tickets are available at



Strange Fruit Redux Returns to NYC

In July 2015 STRANGE FRUIT REDUX exploded onto the off-off Broadway landscape making its world premiere at Manhattan Repertory Theatre‘s 10th Anniversary Event.  It returned to NYC in November 2015 participating in the Midtown International Theatre Festival.  Our founder Afrika Brown has declared that 2016 is the year of Strange Fruit!

In February STRANGE FRUIT REDUX traveled to Winston-Salem, NC and participated in The Ruby Slipper Fringe Festival.  On the 29th STRANGE FRUIT REDUX returns to NYC for a special performance at the 14th Annual Downtown Urban Arts Festival.  That’s right FAMERS; STRANGE FRUIT REDUX is back in town for one night only at HERE Arts Center!

DUAFHERE Arts Center is located at 145 Avenue of the Americas; show time is at 7 p.m. Written by Afrika Brown and starring Bryant L. Lewis, STRANGE FRUIT REDUX centers on a pivotal day in the life of Nathan Strange, a 25-year-old artist from Brooklyn, as he is poised to ascend to the top of the NYC art scene; it’s a series of poem monologues mixed with music and sio-political, pop culture sound bites geared to show the fears and frustrations of the modern day black man.  Tickets for the 29th are still available and can be purchased at

See you at the show; you know F.A.M.E NYC will be there!




cut n mix

CUT N’ MIX: Contemporary Collage On Display At El Museo Del Barrio

Cut N’ Mix explores the work of artists experimenting with collage and collage techniques in ways that expand the gestures of cutting paper and mixing various mediums together. It takes as its point of departure some of the concepts from Dick Hebdidge’s series of essays collectively titled Cut N Mix: Culture, Identity and Caribbean Music, published in 1980. In this text, Hebdidge explored the variations of Caribbean reggae and dancehall and other related styles of music as emblematic markers of Caribbean ideas of nationhood, belonging, and the making of culture. The artists included in the exhibition range from established artists who are veterans of collage to new generations of artists experimenting with this malleable medium.

Participating Artists: Elia Alba, Jesse Amado, Blanka Amezkua, Javier Barrera, Maria Berrio, Cecilia Biagini, Michael Paul Britto, José Camacho, Karlos Carcamo, Nat Castañeda, Gaby Collins-Fernandez, Matias Cuevas, Rafael Ferrer, Roger Gaitan, Carolina Gomez, Javier Ramirez/NADIE, Carlos Gutierrez Solana, Hector Madera, Glendalys Medina, Alex Nuñez, Catalina Parra, Carlos Rigau, Hernan Rivera Luque, Linda Vallejo, Rafael Vega and Eduardo Velázquez.

Cut N’ Mix:  Contemporary Collage will be on display from July 22, 2015 – October 17, 2015.  For more information check out


Jazz Standard Beats Out Winter with Kendrick Scott Oracle

With the final days of winter creeping to a close, Jazz Standard ushers in spring with sounds of Kendrick Scott Oracle.  The quintet is comprised of Mike Moreno on guitar, John Ellis on sax,  Matt Penman on bass, Taylor Eigsti on piano and Kendrick Scott on drums.  The two sets featured selections his 2013 CD titled Conviction, released on his World Culture Music label.  The first set was extremely melodic providing soothing, danceable grooves that one might hear at Club Shelter on Sunday in the early afternoon.  The second set was up-tempo, lively and was propelled by Scott’s driving percussion.  Although some of the music performed was composed by other members in Oracle, all of it showcased the superb backbeat of master drummer Kendrick Scott.  Ancients looked to oracles to predict the future, music in so many ways show where we are and where we are heading.  With Kendrick Scott Oracle the prediction is passionate playing equals good music.


Rufus Reid and His Big Band Sounds Swing at Jazz Standard

Quiet Pride: The Elizabeth Catlett Project, released in 2014, is the latest offering by premiere bassist Rufus Reid, but there was nothing quiet about The Big Band Sound of Rufus Reid as they played selections from this Grammy nominated work.  Quiet Pride is an homage to the work of Black graphic artist, sculptor and activist Elizabeth Catlett (1915-2012).  The titles of the six piece suite are all titles of works created by Catlett and Reid’s compositions and arrangements serve to be beautiful accompaniments to what are already visually stunning pieces of art.

At Jazz Standard Rufus Reid’s big band spilled off the stage and into audience. Along with Reid the band included Steve Allee tickling the piano, Vic Juris strumming the guitar, Chris Beck’s pounding the drums, Charenee Wade’ vocal styling and a reed and horn section that included 15 musicians.  Conductor Dennis Mackrel stood in front of the performers to make sure that each of them was on point.  And “on point” would be a feeble colloquialism to describe the robust, wall of sound that echoed from The Big Band Sound of Rufus Reid.

They started their set with Recognition, followed by Mother and Child, Tapestry in the Sky, Singing Head and Glory. The music was so plush, so luxurious in texture, so rapturous in harmony.  Reid’s aural reimagining of Catlett’s work is as soulful and magnificent as the work itself.  I was particularly impressed with Charenee Wade; her haunting voice held its own with band and proved that voice is indeed its own instrument.  Chris Beck hit the drums like he was midway through a possession.  His drum solo was ferocious and had me clapping my hands and stomping my feet.

Artists often inspire other artists.  Quiet Pride is sure to spark many imaginations.  I thought The Big Band Sound of Rufus Reid was a beautiful ending to February and Black History Month at Jazz Standard.  One legend recognizing another with the timeless language of music – doesn’t get any better than that.


Ravi Coltrane

A Legacy Supreme, Ravi Coltrane at Jazz Standard

Few jazz artists have the legacy of Ravi Coltrane.  To say jazz is in his blood is an understatement; he is jazz royalty.  His father, John Coltrane, created the quintessential jazz opus with Love Supreme and is actually a saint.  His mother, Alice Coltrane, was a jazz pianist, composer, harpist and organist who led her own band and accompanied her husband.

Extending the legacy given to him by his parents, Ravi is an accomplished post-bop saxophonist.  Since 1998 he has released six albums as a band leader, the last being Spirit Fiction in 2012 on Blue Note along with dozens of appearances as a sideman on various artists’ albums ranging from Steve Coleman to Flying Lotus.  He is also the co-owner of RKM Music.

Although this winter has been one of the harshest in recent history, Coltrane’s appearance at Jazz Standard got February started on a smooth, sublime note.    The Ravi Coltrane Quintet, comprised of Coltrane on tenor sax, Ralph Alessi on trumpet, Aaron Parks on piano, Bob Hurst on bass and Jeff “Train” Watts on drums, were featured at Jazz Standard from February 3-8.  The set included five numbers; the first was Ornette Coleman’s Bird Food.  The second was Word Order from Coltrane’s 2000 album From the Round Box.  The third was a piece titled Between Lines.  The set concluded with For Turiya a piece written for Alice Coltrane and Thelonious Monk’s Brilliant Corners with arrangements by Jeff Watts.   The Ravi Coltrane Quintet played the role of shamen.  They enchanted us with soothing, intricate layers of melody.  Hearing Coltrane live with the accompaniment of Parks, Hurst, Alessi and Watts was magical.  Overall it was like a hot toddy on a frosty night – warm, soothing with just the right dose of kick courtesy of Watts’ arrangement of Brilliant Corners.  It swung with a bit of a hip hop beat and would make a perfect sample.  As for Coltrane, he has successfully carried the legacy of his family all while carving a lane for himself.  He has truly earned the moniker “renaissance man.”

Most clubs don’t live up to the illustrious names that their owners bequeath to them.  Jazz Standard is the exception, it is the prototype of what jazz spot should be – intimate, comfortable and filled with melody.  Located at 116 East 27th Street, any jazz buff can walk down a flight of stairs and treat themselves to a plate of barbeque and night of legendary talent and the best new artisans of jazz.



Fifty Years of a Masterpiece – Azar Lawrence Quartet Pays Homage to A Love Supreme At Jazz Standard

“No matter what…it is with God.  He is gracious and merciful.  His way is in love, through which we all are.  It is truly – a love supreme.” – John Coltrane.  On December 9, 1964 the John Coltrane Quartet, consisting of John Coltrane on tenor sax, McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums visited the Van Gelder Studio in Englewood Cliffs to record one of the most influential, brilliant concept albums ever recorded.  That album was A Love Supreme.

A Love Supreme was recorded in a single session and is considered Coltrane’s most seminal work.  It is poetic, a sermon and a testimony translated into a magnificent aural feast that inspires the most rapturous emotions about God, spirituality and enlightenment.   To listen to A Love Supreme can be inspiring and life changing; it’s the type of work most artists strive to achieve, not matter the medium, but are lucky if they get remotely close to.  Coltrane died almost three years after this recording at the age of 40.  He never got to witness how this opus impacted the music world, but I feel safe in saying that Coltrane’s autobiography and legacy was summed up in this piece.  For me it was the musical equivalent to the “Big Bang Theory” – a melodic explosion that created an alternate universe where I was able to explore and gain a deeper understanding of the world in which our bodies reside. In other words, A Love Supreme was an introduction to the metaphysical plane here on Earth.

Jazz StandardIt has been 50 years since Coltrane and company recorded A Love Supreme in Englewood, New Jersey, and its relevance is just as potent today as it was back in the 1960s.  In recognition of this important contribution to jazz and American music, Jazz Standard enlisted saxophone virtuoso Azar Lawrence to celebrate the creation and recording of this masterpiece.  The Azar Lawrence Quartet includes Benito Gonzalez on piano, Billy Hart on drums and Reggie Workman, who worked with Coltrane, on bass. The celebration was over two nights, December 9 and 10, and was a fitting tribute to this piece.  Coltrane once said, “God breathes through us so completely…so gently we hardly feel it… yet, it is our everything.”  It’s evident that the most high was present during the recording of A Love Supreme and the spirit of Coltrane was at Jazz Standard when the Azar Lawrence Quartet performed selections from this work.  These men breathed passion into a work that is already filled with emotion.  They were awe-inspiring.  I fell deeper in love with this work, if it’s possible to do so.  They played the house down and it was one of the best tributes I have been privileged to witness with my own eyes.  The vibrations could be felt in every corner of the room.  I believe we all left feeling connected.  Thank you John Coltrane for creating a work that will last as long as human history exists.  And thank you to Jazz Standard and the Azar Lawrence Quartet for allowing us to rejoice in a work and an artist that used his abilities to uplift humankind.



The Illusionists Bring Their Magic to The Great White Way

One can be inclined to say that magic happens every night on Broadway.  Each performance brings the audience into new worlds and is always different than the night before.  There is nothing more exciting than seeing a live performance, that is until you add the heighten sensation of watching someone try to wiggle themselves out of a straightjacket suspended high above the stage or shoot an apple off a woman’s head, all to the beat of some funky music and pyrotechnics shooting from the stage.   And if that’s your bag, then a night of captivating thrills and pulsating amusement are guaranteed when you step into the Marquis Theater for The Illusionists – Witness the Impossible.

Gone are men in penguin suits and top hats pulling rabbits out of a hat and drawing multi-hued scarves out of their pockets.  The Illusionists – Witness the Impossible has all the slickness and pomp of a Las Vegas show, the sounds of hot, pumping dance party and the satisfaction that makes the ticket well worth the price.  Most of the tricks performed have been around for decades; however The Illusionists give them a 21st century injection that gives them a fresh appeal.

The Illusionists – Witness the Impossible is an ensemble of seven magicians each a specialist in his field.  Adam Trent, known as The Futurist, combines dance, comedy and pizzazz to create a routine that is eye-catching and innovative.  If Liberace and Ethel Merman had a son, he would probably be Jeff Hobson, The Trickster.  He is the epitome of showmanship.  His tricks are only rivaled by his wit, which leaves the audience in stitches.  Following the legacy of Harry Houdini, Andrew Basso, The Escapologist, death-defying stunts dare to look the grim reaper in the eye and smile.  No one can resist the temptation of watching someone put their life on the line on a nightly basis.  Dan Sperry creates a cocktail of Goth, wry humor and trickery that is sure to creep you out your seat as The Anti-Conjuror.  You will squirm and be mesmerized at the same time.  Who doesn’t like a good man sawed in half trick?  The Inventor, Kevin James, revamps this old school classic with new school charm.  Silent but spectacular Aaron Crow, The Warrior, kicks magical ass.  Yu Ho-Jin is called The Manipulator and his moniker couldn’t be more appropriate.  If we were in a different century he might be going up before a council for witchcraft that is how convincing he is.  His style and approach to performing gives the impression of almost being supernatural, it’s like his tricks are an extension of himself.  It is beguiling and beautiful.

The Illusionists hail from U.S., Italy, Belgium and South Korea and have been featured on The Disney Channel and NBC’s America’s Got Talent and are the future of magic.  It’s a fun show that is great for a family night, an evening with friends or a date.   Witness The Illusionists while they are still on Broadway, I’m sure they will conjure a smile on your face as they did mine.

Photo courtesy of The


Jazz Standard Brings the Heat to Fall with the Terence Blanchard Quintet

Nothing can warm up a cool autumn night in NYC like a plate of barbeque, a glass of wine and the sound of live jazz.  With Jazz Standard, you’re guaranteed a night of good food and good music.  Located at 116 East 27th Street, Jazz Standard is one the nation’s premier jazz clubs.  Each month they offer an array of legendary and new talent in an intimate candlelit setting.   This month they started off with the Terence Blanchard Quintet.  In my book Blanchard’s music is the secret ingredient that takes Spike Lee’s films to another level.  Blanchard’s horn can also be heard in the 2001 movie Original Sin.

TBQ4From October 1-5 the Terence Blanchard Quintet enraptured patrons of Jazz Standard with selections off his latest album Magnetic  as well as other selections composed by members of the quintet and other pieces from past albums.  The quintet is comprised of virtuoso Blanchard on the trumpet, veteran Brice Winston on saxophone and upcoming stars Joshua Crumbly on bass, Fabian Almazan on piano and Justin Brown on drums. I was privileged to be in the audience for Blanchard’s last two sets on Sunday.  Both sets were as electrifying as the name of Blanchard’s latest album starting off with an energetic, toe tapping piece, then following up with a more down tempo, melodic number and ending the set on a beautiful, robust note (pun intended).

TBQ3Along with the Terence Blanchard Quintet, Jazz Standard’s features for October include Steve Wilson Quintet, James Carter’s “Django Unchained,” and Edmar Castaneda World Ensemble.  Every Monday belongs to the music of Charles Mingus.  Billed “Mingus Monday,” the regular series presents the genius innovations that made Charles Mingus one of jazz most prolific bassists and composers.  It doesn’t matter whether your jazz exposure has been Kenny G or if you’re lifetime member to WBGO, you’ll be thoroughly entertained at Jazz Standard.  The mix of artists proves why jazz is one of the last true art forms to come out of America and why this music must be preserved and continued for future generations.

To learn more about Jazz Standard, click

To learn more about the Terence Blanchard Quintet and view more photos and purchase music, click, .


Sex and the City Slot Game: A Huge Hit among Fans

If you’re a fan of Sex and the City’s fab four, you’re going to love this. One of the oldest slot machine makers in the world, IGT, developed a game that carries with it the commercial license of HBO’s hit romantic comedy. Fans of the show will feel at home playing it, as they will find a lot of recognizable slot machine reel symbols that are actually based from the characters, setting, and theme of Sex and the City.

The Sex and the City slot machine is a colossal success at the Resorts World Casino in Queens. An article by New York Mag, stated that some of the guests even came all the way from Manhattan when they learned that Sex and the City slot machines were being offered by Resorts World.

“I came just for this game,” said Janis Savit, a jewelry designer that the New York Mag interviewed for their Sex and the City slot machine feature. “It was more fun than doing work.”

Perhaps the success of slot machines can be attributed to how they change along with the times. No longer the traditional coin-op and lever machine, these slots have become the money-spinners of casinos thanks to their high-definition graphics, surround sound entertainment, and progressive jackpot features. According to data, the slot machine business is so successful that not only is it a $160 billion industry, but companies that offer it online are also doing very well. Cryptologic,the operator of the first online casino brand in 1996 InterCasino, is still in operation and has recently optimized their games to HTML5 in order to make their titles playable on many gaming platforms. In the U.S., the online gaming market is predicted to be valued at around $73 million by 2015.

Sex and City is the epitome of a modern slot machine. Apart from the 5-reel interface, the game offers bonus rounds and huge jackpots to players who are patient enough to hit them.

The bonus features of the game also carry with them the identity of the show that millions of Americans have come to love. For example, when players hit the “Shoe Closet” feature they will be able to see stylish shoes that the Fab Four wore at some point in the show. Another bonus feature of the game is called “Simply Fabulous” and features Charlotte wearing an engagement ring. In this game, players need to select four engagement ring boxes that would reward them credits in the end.

Click here to learn more about the Sex and the City slot machine game.