NYC Gets Naked

Lisa Dinhofer, Barbara Reclining, 13" x 18", unframed, 20" x 25" framed, graphite and chalk on paper, 2004

The Roger Smith Hotel, located at 501 Lexington Avenue, played host to the Great Nude Invitational.  The Great Nude Invitational was an inaugural exhibition held in New York City from May 13 to May 16 that showcased the works of 27 international, burgeoning and well-known artists all of whom are dedicated working with nude subjects.

Meredith Bergmann September 11th 18" x 10" x 12", Bronze, 2001

Using traditional and contemporary styles and mediums, these artists explored the complexity of emotions associated with being comfortable in one’s own skin.  The exhibit proved why the human body has been a subject of fascination for artists and patrons alike for centuries.  What made this exhibit so powerful and unique was that the common dominator was nudity.  Although nudes can be found in most museums I have never been to an exhibit that focused just on nudes.  It was interesting to see how different artists viewed and displayed the body.  The Great Nude Invitational was provacative and compelling.  I look forward to seeing it grow.

Scott-Goodwillie, The Comforts of Home, 24" x 36", Oil on Canvas, 2010

The Great Nude Invitational’s stay was brief, but you can still see the works of these talented artists.  To learn more about nudes in art, the Great Nude Invitational and the Great Nude TV, visit http://thegreatnude.tv/.

Photos courtesy of The Great Nude TV

The Art of Living

Art plays a pivotal component in the chromaticity, aura, composition and overall look of a space.  Generally when we see art, it is in a museum or gallery with white or bricked backgrounds and minimal furniture; a curator designs the space to tell a story about the art and the artist.  But when bringing art into our home, the task can be a bit challenging.  Most people approach buying art with the same methodology used for buying clothes, shoes and accessories, purchasing separate pieces and afterward attempting to create a chic look. Rarely, does one obtain a complete ensemble at one time.

Karen Chien, Jessica Porter and Dominic Lepere

Stylists are hired to create memorable looks for their clients and interior decorators do the same for rooms; however the look is expected to last a lot longer than a 15 minute photo op.  That is why it is essential to blend the right art, lighting, furniture, textiles and other decorations in order to produce a room that is reflective of the owner’s personality.  But in today’s economy not all of us can afford to hire an interior decorator.  Luckily, three of Manhattan’s connoisseurs of creation have produced an exhibit that combines stunning works of art and sleek, modern pieces of furniture.   Art & Living: Emerging Interiors opened May 13 and combined the talents of Karen Chien (Cheeky Living), Dominic Lepere (Lepere showroom) and Jessica Porter (Raandesk Gallery).

Art & Living: Emerging Interiors is comprised of several mini-room installations and is a unique display of style and function.  Walls of the intimate spaces are adorned with artwork from Juan Astica (Buenos Aires), Anne Marchand (Washington D.C.), Teresa Pereda (Buenos Aires), Matej Sitar (Slovenia), Laura Viñas (Buenos Aires) and Roy Wiemann (New York City).   Massachusetts sculptor Andrew Maglathlin’s three dimensional pieces were featured on end pieces and tables.  Raandesk Gallery owner Jessica Porter chose to showcase artists whose art was more abstract; their color palettes enhanced the furniture.  The furniture was comfortable and contemporary.  During the opening reception, guests mingled, sipped glasses of sparkling wine and turned the showroom into a real living space.  Watching people bring the exhibit to life truly illustrates how a beautifully designed area assists in promoting good feelings.

Art & Living: Emerging Interiors will be on display at Lepere showroom, located at 20 West 22nd Street, Suite 1105, until July 5th.  To learn more about Cheek Living, Lepere and Raandesk Gallery, please visit www.cheekyliving.com, http://lepereinc.com and http://raandeskgallery.com.

Photos and slideshow courtesy of MyNameIsPhoto.com and F.A.M.E NYC Editor

Affordable Art

Today marks the start of the Affordable Art Fair in New York City.  AAF NYC is a cool introduction for anyone who loves art.  There are over 70 international galleries represented, providing art connoisseurs and novices an opportunity to browse and view hundreds of different works from notable and blossoming artists.  This year AAF NYC features an I ♥ Brooklyn party, children’s programs, Foto Focus walking tours, sculpture and print making classes.

The main attraction of AAF NYC is the art prices; all works are priced from $100 to $10,000.  At those prices, anyone can be a collector.  The Affordable Art Fair is being held a 7W New York (7 West 34th St, near 5th Ave, NYC) and ends on Sunday.  But if you miss AAF NYC in May, you will get the chance to see it again in its first inaugural fall fair in September.

To learn more about AAF NYC or purchase tickets, visit www.aafnyc.com.

Reflections of a Colorist

The use of or lack of color is the foundation of most artwork.  Color draws upon memories and emotions.  It can make a grand or simple statement, or just be pleasing to the eye.  Washingtonian Robert Kent Wilson has brought his idea of color to the island of Manhattan with Pixel by Pixel, currently showing at Raandesk Gallery until April 16.  Pixel by Pixel marks the culmination of a decade of Robert’s work.  “I don’t know if people are really going to get it,” Robert comments when asked what he would want the audience to take away from the exhibition. 

“This is ten years of mental snapshots that I have articulated in larger form.  I see them as little scenes, little vignettes that one person has captured.  Sometimes it’s like focusing on a little bit of color.  Other times it’s focusing on a scene and taking this one little thing that’s going on there that most people would never look at.  So it’s kind of like I’m a photographer capturing things and putting it out there.”

Robert Kent Wilson is a native of D.C., but one would be hard pressed to find political statements in his work.  “It has caused me to not focus on politics in my art,” Robert remarks about living in our nation’s capital.  “I choose to focus on what I consider to be positive artwork,” he adds.  “Usually my messages are more social than political statements.  I like more positive influences; I think it makes a big difference.”

Although his political views can be seen in his work, Robert Kent Wilson does not beat the viewer over the head with highly wrought displays of political opinions.  Instead, his beliefs deepen the depth of each piece.   “My work always has a statement, but is the statement shocking?  My meanings are how people respond to color and how people respond to composition,” Robert affirms. 

 

 

A perfect example of a colorful hidden statement in Robert Kent Wilson’s artwork is #05 (pictured on the left), an awe inspiring piece that blends multi-hues of blue, green and hints of brown creating harmonious balance on canvas.  #05 is Robert’s homage to the shore, a location that has been a constant muse for artists since the beginning of time.  Looking at piece I got lost in the colors; they seemed endless, similar to the feelings I receive when I stare at the ocean, infinite and hopeful.  I wanted to dive into the canvas and float with the tides as they crashed against the shore.

 Their America (not shown in the exhibition) is another example of how the use of color and subtlety create a powerful image of beauty.  Upon first glance, the piece seems to be a commentary about America’s roots.  The rustic reds blended in the cowboy’s faces illustrate people that are of the land; however as Robert pointed out when we spoke, art is subjective.  The subtle statement waiting to be discovered in this work is about homosexuality, but unless the viewer was actually looking for the statement, they may not find it.  Then again, the statement is whatever the viewer wants it to be.  Robert prefers when the audience is able to enjoy his art by finding the element that makes them personally connect with a piece.

One of the reasons I believe it is easy for anyone, regardless of their knowledge of art, to connect with Robert Kent Wilson’s body of work is his focus on an element he calls “discarded stimuli.”  “Things always aren’t what they appear to be,” he states, “There’s more than what is put right in front of your face, and often times there’s something more interesting going on when people are put off guard.  My original inspiration for disregarded stimuli is the road trips my father, brothers and I would take growing up.  Everyone else would be sleep, except I couldn’t sleep, so as the car drove down the road I’d take pictures of the countryside and the people, analyzing a girl or boy in the backseat of a car passing by.  They were all momentary but there was something about them that stuck.”

Robert Kent Wilson took those moments and other experiences (as he also admitted as child he felt put to the side) and created imagery where disregarded flashes in time would live in vivid splashes of color.  In fact, his use of color is captivating and exquisite and is another reason why his work would appeal to the public.  The microcosms he uses to explain the larger story are well selected and along with his use of mix media tell a story that is even more revealing then the bigger picture.  Although there is always more than meets the eye with his work, one can simply enjoy the beauty of color, even if the colors are black and white. 

To learn more about Robert Kent Wilson visit www.robertkentwilson.com or http://raandeskgallery.com/artist.php?artistId=41.

Photos:  Courtesy of Raandesk Gallery

Everyday Elegance of Yuken Teruya

Tory Burch (Pink), cuts on paper, glue, 6 x 16 x 12 inches

No artist personifies the quote, “One man’s trash is another man’s treasure” better than Yuken Teruya.  His ability to take cardboard cereal, shoe and fruit boxes as well as other objects and transform them into useful works of beauty and grace brings a more noble purpose than the objects original purpose.  Currently showing an exhibit at the Josée Bienvenu Gallery until March 27,   Yuken Teruya turns a simple, white-wall space into a conversation piece.

Earn A Lot of Money; No Need Send Any Letter; Send Money Home First,

Upon entering the main room of the gallery I was greeted with various cardboard boxes strategically placed around the floor.  The boxes served as the video players and projectors for Earn A Lot of Money; No Need Send Any Letter; Send Money Home First, the artist’s five channel video installation.  Earn A Lot of Money; No Need Send Any Letter; Send Money Home First is an entertaining and intelligent labyrinth that examines at the multi-ethnic neighborhoods in New York.  The videos display the voyage of tiny paper boats as they float along the gutter of a street.  The boats contain flags from Japan, Mexico, Puerto Rico and the United States.

Dawn, Knives, Butterfly Chrysalis, Glue

In the smaller rooms of the gallery are works from Dawn, in which an object of his home island of Okinawa serves as a source of inspiration. A chrysalis placed on the edges of different items such as the sole of a shoe, end of a knife or butt of a gun changes the purpose of these random things into a home where a butterfly will be born.  With subtlety, Yuken Teruya shows that anything has the possibility to transcend.

Dawn, Shoe, Butterfly Chrysalis, Glue

Before leaving the gallery I stopped to take one last look at Earn A Lot of Money; No Need Send Any Letter; Send Money Home First.  I began to liken myself and all New Yorkers to those paper boats and hanging chrysalis.  We are all floating along the streets of New York, bobbing and weaving through traffic, sometimes burrowing underneath in an effort to find that perfectly random place to nestle ourselves, create a cocoon and eventually emerge to be someone greater.   It is this understated commentary that makes Yuken Teruya’s exhibit so powerful and a must see for anyone evolving in the Big Apple.

Photos:  Josée Bienvenu Gallery and Yuken Teruya Studio

History of Violence Top Live Art Installation for 2009

Violence is almost as American an activity as baseball.  This country was liberated by war; our forefathers were nothing more than wig wearing rebel rousers.  This fact, I’m sure, was not lost on British artist Russell Young when he first envisioned A History of Violence

In March, Bagatelle teamed up with Keszler Gallery to present a private viewing of the exhibit.  Young’s work added a sassy energy to the romantic French bistro.  The dimly lit chandeliers and track lighting glimmering off the freshly painted silk screens gave the restaurant sex appeal.  It was a delight to sip wine and watch Russell create right before our eyes.

Before the art world beckoned, Russell past incarnations included celebrity photography and directing music videos.  A History of Violence examines the connection this country has to violence through iconic imagery and eye popping color.  I’m sure Russell’s background in photography aided in his selections of photos, which were stunning and told individual stories that help to contribute to the entire visual narrative.

Don't talk to me about heroes, most of these men smoke cocaine. 2006 Screen print on canvas

Hollywood has always had a fascination with the Wild West; in fact movies depicting boisterous stories from that time help to save Hollywood and television.  Shows like Wagon Training, The Rifleman and Maverick taught generations of kids about the rough frontier existence, morality and how violence is sometimes a necessary part of living.  No movie sums these lessons up better than The Magnificent Seven.  The movie was just as majestic as the soundtrack.  To see Yul Brynner, Steve McQueen and company astride their steeds, ready to save the day, all in pink plays with the ideas of masculinity, vigilantism and heroism. 

Marlon Brando "Oh that boy's a slag" 2007 Acrylic and enamel screen print on linen

What makes bad boys so appealing?  It is a question that has perplexed parents and their daughters since the beginning of time.  Russell chose one of the ultimate bad boys to make his statement about the allure of a man who lives outside of the law, makes his own rules and still has a heart –Marlon Brando in The Wild One.  Painted boldly in red, Brando in his biker gear and looking defiant as ever in dark shades shows exactly why the bad boy is so tantalizing – there is nothing more intoxicating than the idea of a man being able to protect a woman from peril and no one messes with a bad boy.

Beauty, at times can be tragic, like a moon plant that dies in the face of dawn.  The photo of Marilyn Monroe trying to shield her face as she suffers is the epitome of tragic, fragile beauty.  This photo shows that sometimes the violence can come from within and is inflicted on ourselves.

The most compelling installation completed that night was of a gun cataloged by police.  By sight it is an ordinary handgun until the audience learned that it is a photo of the gun that killed John Lennon.  Instead of paint, Russell uses blood. 

Mouths hung as Russell smeared the blood on the silk screen.  The silence in the room while he is creating the piece was beyond creepy as we all came face to face with the mayhem that a violent mind can create.  As we sipped our wine in this trendy restaurant, the idea that violence is a part of our history and our present was never clearer to me.  Safety is only a hope, not a guarantee. 

The Dali Lama stated, “It is my belief that whereas the twentieth century has been a century of war and untold suffering, the twenty-first century should be one of peace and dialogue. As the continued advances in information technology make our world a truly global village, I believe there will come a time when war and armed conflict will be considered an outdated method of settling differences among nations.”    It is this sentiment that came to mind when I witnessed the canvas of President Obama shimmering in gold paint. 

It is no wonder the photo sold that night, Obama represented hope and change to many around the world, and is the perfect visual representation of historical change.  Art is at its best when it stimulates your senses.  The History of Violence did that and more.

Photos courtesy of KB Network News and http://www.russellyoung.com

All American Creation

“Born in the USA,” would definitely be the phrase used to describe An American Art and Craft Collective, held at Grown and Sewn, located at 184 Duane Street in Tribeca.  Inside this store is a perfect weaving of art and fashion. 

Figures

Bruce Springsteen’s classic song brought attention to the disenfranchised in America in the 1980s – those dealing with the repercussions of the Vietnam War, joblessness and a struggling economy.  In the wake of the Great Recession, wars in Afghanistan and Iraq and issues with our environment, there is no greater time to have a merged exhibition like An American Art and Craft Collective, especially since we are on the verge of a new decade.

Purvis Young

An American Art and Craft Collective brings together the works of urban visual griot Purvis Young and the Grown and Sewn collection. Grown and Sewn Dry Goods Collection is an innovative approach to casual fashion.  The collection’s signature product is the “Kax” and takes the best elements from the khaki and jean. 

The Kax is 100% cotton and is washed, baked and finished.  Every aspect of Grown and Sewn is American made down from the cotton used in the clothing to the rivets sewn on the Kaxs.  All the manufacturing of this product is made in the USA, with almost every region of the country contributing to bring Grown and Sewn to the masses.  This clothing line makes a powerful statement toward fixing what ails our society by offering a product that is environmentally friendly and provides jobs to Americans. 

Up in Arms against the System, c. 1987

The work of Purvis Young is provided by Skot Foreman Fine Art.  Purvis is a self-taught artist out of Overtown, Miami, Florida.  In his work he reuses squiggly lines and eyes to display the underbelly of American society, individuals caught in the system of poverty, incarceration and street life.  His pieces are full of rage, passion and reality that shine a spotlight on topics that most people would rather not focus on. 

Angel Baby Crib, c.1991

Purvis used the debris of Overtown, old cribs and pieces of wood, to create a body of work that tells a specific story, a somber story, that is nonetheless part of the American experience.  What is more disturbing to me is the thought that without artists like Purvis Young, this story would not be heard. 

Although I have viewed Purvis’ work before, seeing it in this setting was like witnessing it for the first time.  Purvis’s work is layered in such a way that upon each viewing a new facet is discovered.  The store’s décor also added a special element to his work.  There are huge bales of cotton cleverly placed through out the store; the tables are hand crafted with antique figurines and an old sewing table.  These raw components help to accentuate the coarse quality of Purvis’ work. 

Eyes, c. 1992

An American Art and Craft Collective will be on display until January 15, 2010 and is a marriage about what is best about American culture at a time when America needs it most.  After braving the blistering wind to get to Tribeca, I was electrified by what I saw and warmed with a renewed sense of hope.

Photos of Purvis Young’s artwork courtesy of Skot Forman Fine Art and Purvis Young.com

Stimulating Simulation

Sergey Dikovsky ANSWER (2008) Oil on canvas

December in New York City guarantees three things – hordes of people at Rockefeller Center, a steady drop in the temperature and the occasional cold.  While fears of the H1N1 virus have the whole country in the grips of fear contemplating whether to get a flu shot, I am waging my own battle with the common cold.  Since the topsy-turvy weather and my cold have kept me indoors this week, I unfortunately was unable to go to any galleries, parties or shows.  Then I remembered, thanks to Jessica Porter I have a gallery right at my fingertips.

Jessica Porter

In 2006, Jessica launched Raandesk Gallery with an accompanying live exhibition in Chelsea.   Raandesk Gallery is an alternative to viewing art in a traditional venue allowing anyone with access to the internet the chance to broaden their visual horizons and expose potential art buyers to an experience that is less stodgy than the traditional gallery visit.

Jessica has always dreamed of owning a gallery.  The dream was present when she attended the University of Delaware where she studied Art History and French Language & Literature with the intent of becoming an international corporate curator.  A dwindling market prompted Jessica to become a consultant for an international fine arts shipper.  She also attended at the University of Maryland and received her Juris Doctorate in 2001.   Throughout her various career paths, Jessica never abandoned her original dream and in 2005 she began to turn her dreams into a virtual reality.

Raandesk Gallery currently represents over 30 artists and their work is only a click of a mouse away.  Along with the virtual gallery, Raandesk conducts several live exhibitions in venues throughout the city including Vino Vino and Gallery Bar.  In fact, my first introduction to Raandesk Gallery and Jessica Porter was at Gallery Bar.   From our first meeting I could tell that Jessica is passionate about what she does as well as the artists her gallery represents, which is always a good thing for an artist. 

Laura Salierno MARCH 3:42 PM (2005) C print, shot on 645, 220 Fuji film, printed on Fuji crystal archive paper with a luster finish

ART2Gift, Raandesk Gallery’s latest exhibition, can be found at 16 W. 23rd Street and online.  ART2Gift is a multi-medium marketplace that allows consumers to buy cotemporary art at extremely affordable prices ranging from $35 to $500.  The exhibition will be on display until January 2010.  So if you’re stumped for ideas for Christmas this year, a piece of art might be the way to go.  Whether you are viewing the work in person or online Raandesk Gallery always delivers the opportunity to dive headfirst into the world of contemporary art, stuffy nose and all.

To learn more about Raandesk Gallery, their artists and art rental program please visit www.raandeskgallery.com

Photos courtesy of Raandesk Gallery