Make ‘Em Laugh

 

Ok, so what happens when three old Jews, one young Jew, a goyim and a pianist are on stage …some of the funniest live theater I ever witnessed that’s what.  Old Jews Telling Jokes is a 90-minute laugh fest that provides side-cracking chuckles from beginning to end and proves that laughter is not only the best medicine, it is also a great equalizer. 

The concept for the funniest show to open Off-Broadway this year started in 2009 with the launch of a web series titled Old Jews Telling Jokes.  The viral sensation was created by Sam Hoffman and produced by Eric Spiegelman and Tim Williams.  In 2010, Sam Hoffman and Eric Spiegelman converted Old Jews Telling Jokes or OJTJ to paperback with the subtitle 5000 Years of Funny Bits and Not-So-Kosher Laughs.  Like the web series, the book is a treasure chest of jokes and humorous stores contributed by several Jewish funnymen and personalities.

This May, OJTJ makes it debut at the Westside Theatre and let me tell you, your face will hurt from laughter.  Old Jews Telling Jokes takes the old school jokes of Jack Benny, Henny Youngman, Mort Saul, Myron Cohen and others who graced the stages of The Catskills’ “Borscht Belt” and entertained millions on television and around the world and gives them a new twist.  Humor has been a long standing tradition in Judaism, which dates back to the Torah; OJTJ creates an arc of the Jewish experience in America that begins with birth and childhood and ends with old age and death.  Along the way the themes of assimilation, sex before marriage and sex after marriage are also explored.  The production isn’t just the retelling of jokes; it also contains a few musical numbers which provide the opportunity for audience participation and poignant monologues that perfectly accentuate the importance of humor in the fabric of not only the Jewish experience, but the human experience. 

At the heart of Old Jews Telling Jokes is a sense of celebration.  The preservation and reinvention of these jokes are just as much about honoring Jewish conventions as the lighting of the menorah during Hanukkah.   For the Jewish members of the audience, the show is more like a family reunion; many of them are familiar with the material and sometimes finish the jokes before the actors can deliver the punch line.  For audience members who aren’t Jewish, especially any that may be from Gen Y, the show is just plain funny, and although the themes are skewed from a Jewish perspective, anyone can relate to subject of family or sex.    The actors include Marilyn Sokol, Todd Susman, Bill Army, Lenny Wolpe and Audrey Lynn Weston.  Each night they take on the task of what I can only describe as linguistic gymnastics, sticking punch lines and musical numbers which can be changed daily. But it’s because of this reason that the show will remain fresh to the actors and the audience.

From the internet – to the pages of a book – to an Off-Broadway stage, Old Jews Telling Jokes has been knockin’ them dead wherever they go, I suspect that the Westside Theatre won’t be any different.  The tagline is “You’ll laugh ‘til you plotz.”  I didn’t plotz, but I did feel like I was leaving 10 pounds lighter after the crunch session my abs suffered as a result from laughing so hard.  Old Jews Telling Jokes is a history lesson, a workout and a ball of laughs all rolled into one fantastic show.  Go see it…the joke will be on you if you don’t.

Check out these videos of creators and the cast of Old Jews Telling Jokes:

Photo and videos courtesy of Serino/Coyne

NYC Women’s Empowerment Summit Returns This Summer

 

The NYC Women’s Empowerment Summit is a one-day conference designed for all women, young and old, to meet and share best practices, stories of success, and experiences both personal and professional. The goal of the summit is to create new bridges and a wider awareness of political, social and economic causes, in order to help other women reach their full potential in life.  This year’s panel of speakers will be headlined by multi-Grammy winner Roberta Flack and multi-Emmy winner Rita Cosby and includes a variety of successful women from all genres of business, workforces and life. This year the Women’s Empowerment Summit is partnering with Room21 learning systems to help finalize the development of the first social network platform exclusively for women, offering a variety of tools from office advice and crowd source funding to networking with other women around the world to further business ventures, personnel projects and ideas.  All tickets include access to the event, continental breakfast, lunch and also wine and desserts. In addition, each ticket holder will receive a gift bag containing various goodies from the Summit sponsors. Last year’s gift bag was valued at over $500.00 dollars in goodies and services!  Currently Early Bird tickets are on sale for just $75.00.  All proceeds will be donated to Ronald McDonald House Charities.

The 2nd Annual NYC Women’s Empowerment Summit will be held June 23rd at the Downtown Community Television Center, 87 Lafayette Street.  The all day event starts at 10:00 a.m. and end at 4:00 p.m.  (Doors open at 9:30am).  To purchase tickets visit:  http://alyciakabackempowerment2012.eventbrite.com/.

I had the privilege to attend last year and found it to be a great experience.  Ladies, skip that weekend in The Hamptons and check it out.

F.A.M.E NYC Remembers Dick Clark

Even before I was granted the privilege of staying up late and bringing in the New Year with my parents, Dick Clark was a part of my life.  Every Saturday we would watch American Bandstand, a weekly event which signified the end of the Saturday morning cartoon shows, toggling between it and Soul Train, depending how the channels scheduled the two music shows.  By the time I got hip to Dick Clark, he had already earned the reputation of “America’s oldest teenager”.  His seemingly ageless face and graceful presence provided the soundtrack and memories of my childhood.  Pyramid was one of my favorite game shows as a girl and the American Music Awards, which he also produced, always kept me glued to my TV screen.  I swear if I had sat any closer, my parents would have experienced a Poltergeist-like scenario as I would have been in the television. 

Dick Clark was born in Bronxville, New York, and was raised in Mount Vernon.  After high school he implemented a dream to be in radio by attending Syracuse University, graduating in 1951 with a degree in advertising and a minor in radio.   After stints at different radio stations in New York, California and Pennsylvania, Clark became host of a local show titled Bandstand in 1956.  In 1957, the newly renamed American Bandstand and Dick Clark burst onto the landscape of American pop culture as the show debuted on ABC.  Along with breaking color lines, Clark assisted in transforming rock n’ roll from a musical pariah amongst parents into one of the most popular genres of music.  In 1972, he produced and hosted Dick Clark’s New Year’s Rockin’ Eve.  In April 2004, Clark announced he had type 2 diabetes and in December of that year he suffered a minor stroke, which left him with a speech impediment caused by dysarthria.  Because of this, Ryan Seacrest assisted Clark in co-hosting the annual New Year’s Eve celebration.  On April 18, Dick Clark passed away after suffering a heart attack following surgery.  He was 82.  On April 20, he was cremated and his ashes were scattered in the Pacific Ocean. 

Each year, Dick Clark hosted the biggest party in Times Square.  For decades people descended from all parts of the globe to participate.  As far back as I can remember Clark has been a part of me toasting in the New Year – first with eggnog, then with wine – it is unfathomable to believe I will not see his luminous eyes and boyish smile during the last hour of this December 31st.  I guess it is because of New Year’s Rockin’ Eve and American Bandstand  I have always associated Clark with new beginnings and inspiration.  Even his illness couldn’t tarnish his eternal youthful spirit.  He left an indelible impression in music and media, all while being a good person to boot.  I suppose learning that your heroes and people you admire have succumb to their mortal fate is a symptom of getting older yourself.  And while it’s just a fact of life, doesn’t stop it from hurting like hell.  Thank you Dick Clark for all your contributions to media and music, thank you for such an incredible, inspirational legacy – New Year’s Eve won’t be the same without you.

I Know It’s Only The Rolling Stones…But I Like It

The Temptations proclaimed, “Poppa was a rolling stone.”  Blues maestro Muddy Waters told folks that he was a rollin’ stone.  But little did he know when he recorded that tune for Chess Records in 1950 that the title would be the moniker for one of the most iconic and successful groups of the 20th century.  Known as the first bad boys of rock ‘n roll and complete with a “g” on the end, The Rolling Stones formed in 1962 when then guitarist and founding member the late Brian Jones christened the name while setting up a gig.  Little did he, Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman or Ian Stewart know that they would help to cement the British Invasion of the 60s as well as become some of the architects of rock ‘n roll. 

Fifty years later, amid a few changes in bandmates, The Rolling Stones are just as relevant and popular as they ever were.  And as the band and their throngs of fans worldwide commemorate the legacy of music The Rolling Stones has created, it was Porter Contemporary that had me in its sway.  Last Thursday the gallery gave its own homage to the group that ranked number 10 on Billboard’s Hot 100 Top All-Time Artists when it debuted, A Rolling Stone.  The exhibition is not only a celebration for the 50th anniversary of The Rolling Stones,  it also inspired by the proverb, “A rolling stone gathers no moss,”  (a sentiment that  perfectly exemplifies the career and members of The Rolling Stones).   Displayed in A Rolling Stone are the works of Jason Bryant, Jennifer Murray, Johnny Romeo, Adam Normandin, JaH-HaHa and Naoto Hattori.  The show is concise and cohesive; the 10 pieces selected for the exhibit are a beautiful representation of the individual artists’ style as well as the theme of the show.  JaH-HaHa’s paintings feature a young Mick Jagger and Keith Richards atop sheets of music.   Jason Bryant created works based on The Rolling Stones’ iconic album Sticky Fingers, while Jennifer Murray’s work showcased the proverb.

The merging of music and art has always been a particular source of inspiration and enjoyment for me.  Wild horses couldn’t drag me away from seeing this exhibit, considering that I’m a huge admirer of The Stones.  Well curated, reflections of each member’s personality are inherent throughout the space.  But out of all the members, A Rolling Stone reminds me most of Charlie Watts, understated but with a driving back beat that is intrinsic and entrancing, A Rolling Stone will be on exhibit until May 26.  I recommend going to see it; I guarantee you will leave satisfied.

Formerly Raandesk Gallery, Porter Contemporary is located in Chelsea section of the Village at 548 West 28th Street and is open Wednesdays 11 a.m. to 6 p.m., Thursdays 11 a.m. to 8 p.m. and Fridays and Saturdays 11 a.m. to 6 p.m.

Photos courtesy of Porter Contemporary

Slideshow by F.A.M.E NYC Editor

The Splendor of the Lens

 

My first introduction to Oscar Correcher’s work was through viewing the photo album of model/actor Hector Lincoln on Facebook.  He had uploaded a few new photos, shot by Oscar, which I found to be gorgeous.  A lot has always been said about the love affair between a model and the camera.  We have all heard derivatives of the expression, “The camera just loves him or her!”  And while this can be true, not much is said about the romance between a photographer and the camera.  If the camera and a model have a love affair, then the photographer guides the liaison.  The photographer is the person responsible for the shot that makes consumers want to purchase the latest trends.  They are an essential component to the fashion world.  And it takes love and passion to stand with dozens of photographers during fashion week and fight to get a good shot as a model walks the runway or to wake up early to get the best light for a photo shoot. 

As a former model, Oscar’s relationship with the camera has been from both sides.   His love and passion for life has prompted him to travel the world, capturing the beauty of experience.  Whether it is a fashion story or Dali, his canine, Oscar’s photos lure the viewer in to a world of splendor.  Recently, I had the opportunity to ask him a few questions about fashion, New York City and his bucket list.

Tell me about your background and travels.

 I was born in Barcelona, Spain. At the age of 17, I went to London, when I was 19 to Paris and when I was 21, I came to NYC.

When did you first fall in love with photography?

When I started seeing old black and white pictures at home with my family.  When I was eight years old, my father gave me my first camera, a second hand camera that he got on the streets of Barcelona on a Sunday.

What was the first camera you ever owned?

Professionally, a Chinon 35mm that a friend had sitting at home on the lower east side, we didn’t even know if  it was going to work.

What year did you move to New York? 

October 1997

What made you want to move to New York City?

The need of keep traveling and having new experiences in the world.                     

Has your experience as a model assisted your eye as a photographer?

Definitely! It wakes up a sense of intuition.

What do you love most about shooting fashion stories?

Being able to tell stories and show locations and places by using a theme or clothing.

What is the importance of photography to the business of fashion?

It is a way of translating what the brand or the designer is about or wants to communicate to the public for that particular season.

Who are your top five designers and why?

Yves Saint Laurent, Lanvin, Alexander McQueen, Ann Demeulemeester, Alexander Wang and Richard Chai because of their perfection/style, beauty and hard work.

If you had a photography bucket list, tell me the top three:

Locations

The dessert, Brazil and cities from all over the world.

Celebrities/Artists

Deepak Chopra, Oprah Winfrey and Lady Gaga (an amazing young and very talented young lady from our time).

Random Things

Love, friendship and kindness.

What do you have planned for the rest of 2012?

To keep doing what I love and improving myself by learning and sharing.   

To view Oscar Correcher’s photography, click oscarcorrecherphotography.dphoto.com.

Photo courtesy of Oscar Correcher

Desiring Uncertainty at Porter Contemporary

Everyone has heard the idiom that the body is a vessel, so how ingenious was it of Jee Hwang to use one of the most intimate objects in one’s home to express that sentiment.  Desiring Uncertainty is a collection of paintings currently showing at Porter Contemporary, located at 548 West 28th Street.  The show opened February 23; last Thursday Porter Contemporary hosted an artist talk with Jee Hwang so viewers could hear firsthand what inspired her to create these works.

 Jee Hwang used a series of bathtubs as well as a crate; bag and even herself face down in a bed of grass to express desire, and its relationship to the state of presence and absence.  A bath at the end of the day seems to be the cure all for the world’s ills.  We draw a bath, soak, relax, wash away insecurities and pressures and utilize the water to restore us.  Then we release the water and do the same thing the next day.  While walking through the exhibit, I could feel the longing, the languishing for something to happen, but what that something is hasn’t been discovered.  The vivid detail of Hwang’s works made these cold, stationary items pop with verve, becoming stimulating to look at.  It is amazing how the bathtubs express the essence of desire as well as the loneliness that can come with unrequited desire and the changes that it can take over time.  I found her works to be remarkably introspective and alluring.

Artist Jee Hwang was born and raised in Seoul, South Korea, before migrating to Maryland in 2003.  She graduated from Pratt Institute with a MFA degree in 2009 and received a partial scholarship to the Vermont studio program in 2010.  Her first solo show was at A.I.R. Gallery as the 2009-2010 A.I.R. Emma Bee Bernstein Fellowship Artist.  Desiring Uncertainty will be on exhibition at Porter Contemporary until March 31.   If you can, I highly suggest taking a peek before it ends.

Photos courtesy of Porter Contemporary

A Legendary Evening for Legendary Damon

So who can pull off making a grand entrance into a packed nightclub atop a white horse dazzling spectators?  Legendary Damon, that’s who (eat your heart out Bianca Jagger).  Last Sunday, NYC belonged to “the King of New York nightlife” as he celebrated his birthday with all the grandiose fabulosity that he has become recognized for.

Known for his lavish birthday soirees, Damon didn’t disappoint this year as he paid homage to one of the most iconic clubs in Manhattan’s history – Studio 54.  The Marquee, located at 289 10th Avenue, was decked out in silver, reminiscent of the famed hot spot, complete with various old school album covers on the tables of the VIP section and the smiling half moon (minus the spoon filled with snow).    Cocktails were being knocked back courtesy of Remy Martin V, and may I add they were extremely scrumptious. 

Like the legendary club created by Steve Rubell, the A-List, philistines and everyone in between mingled in harmony as DJs Jimmy the Gent, Charlie Brown, Goldfinger, Kiss and MOS spinned an array of classics and hip-hop bringing the club to a frenzy.  Among the celebrities toasting with the famed stylist and promoter were Chef Roblé, Karen Gravano of the hit VH1 show “Mob Wives”, UK R&B diva Estelle and Roc Nation’s Bridget Kelly, both of whom serenaded Legendary Damon.

 

All and all it is a fete that won’t be forgotten soon.  Swankier and more fierce than last year, Legendary Damon knows how to put the swagger back into NYC clubbing.  The countdown is on until next year; I can’t wait to see what he will pull out of his fashionable chapeau.

 

FAMERS, take a gander at the video that preceded his entrance into the club.

Photos and video courtesy of Pretentious PR, Maria Maltsava and Sarah McColgan

Friday Night in El Barrio

My earliest memories of people gathering together to enjoy good vibes and good music was probably the tenement parties I witnessed as a small child.  Now blotchy memories – more sensations than recollections – my brain paints pictures of water colored visions, a grill cooking hot dogs, hamburgers and chicken, the smoke rising as high as the project buildings, hip folks passing joints and sipping on drinks in brown paper bags,  elders talking, people playing cards and dancing.  As I think about those images, what resonates the most is the feeling – a feeling that settled into my tiny soul only to be resurrected at certain times.  That was my first taste of going out – a sip if you will.  As I got older the block parties got replaced by house parties.  Small basement settings replaced the open spaces of the courtyard.  Silhouettes of perspiring bodies outlined by blue and red light bulbs created heat and energy while folks tried not to bump the makeshift DJ booth.

And these reflections are the makings of me and countless others who walk under the beam of the moonlight to enter venues where electric pulses blast out of speakers and open the doors to our souls, where baby powder is sprinkled on the floor to transcend.   These reflections are also the makings of Joann Jimenez and Antonio Ocasio, the life force behind ¡WEPA! a monthly party held at Bar 13, located at 121 University Place.  Both Joann and Antonio are staples on the underground house scene and are New Yorkers from Afro-Latin descent.  With ¡WEPA! they have orchestrated the quintessential homage to their roots.  They are the pied pipers and we are the children of the night happily following them along their musical and visual journey.

The last Friday of every month people of various ages and backgrounds venture to the third floor of Bar 13 and enter into an entire universe to itself – a time capsule of classic and contemporary.  Flags and myriad articles of clothing hang on a line, cigars are rolled for a quick excursion to smoke on the rooftop, live percussionists, artists and visuals are mixed in with the best in Afro-Latin rhythms to create the spiciest soul session fit for consumption today.

Jimi Hendrix asked the question, “Have you ever been experienced?”  Well, I can now say I have, but what would be more appropriate would be to say that I’ve been re-experienced.  I’m an old dinosaur that vividly remembers the golden era of nightclubbing in New York City.  Nothing like the water-downed, table service driven parties of today, the ¡WEPA! experience evokes the spirit of old NYC nightlife with a vengeance.  Under one roof are elders, circle dancers, prancers and people just enjoying the scenery.  The amalgamation of the intimate party vibe and laid back fun from the block injects ¡WEPA!  with a dose of freedom and community, the likes of which I haven’t felt in ages – it is the very essence of home.

Everyone knows the expression, “Thank God it’s Friday!”  Well, I would like to revise that antiquated sentiment and say, “Thank God for final Fridays!”  ¡WEPA! turns every final Friday into a holiday – a blithe fete that culminates the end of each month.  Without at doubt, it’s the best $15 party in the Big Apple (RSVP to muzikbutrfly@gmail.com to receive the reduced price of $10).

 

 

 

 

But don’t just take my word for it FAMERS take a look for yourself by clicking, www.wepanyc.com or www.youtube.com/wepanyc.

Photos and video courtesy of Joann Jimenez and Antonio Ocasio

A Blizzard of Savings

Well, the weather outside isn’t so frightful.  But the savings are still delightful. The new Seasons of Savings booklet is out and offers discounts of up to 50% for shows, parking, hotels and attractions around the theater district.

Published twice of year, Seasons of Savings makes Broadway and Off-Broadway more accessible by providing amazing discounts to the hottest happenings in Times Square – the Superbowl is over, pick up a guide, run your fingers through a winter land of savings and warm up with a show.

To learn more or view the booklet, click http://www.seasonofsavings.com/.

Grand Re-opening…Grand Closing?

On January 18th Gotham’s hottest celebrities and Warren Buffett came out to celebrate with rap mogul Jay-Z.  And it was not to celebrate the birth of his daughter Blue Ivy Carter; it was to officially announce that 40/40 Club was re-opened for business.  Or is it?  Yes, the Flatiron nightclub, located on West 25th Street, received a $10 million overhaul, but apparently that wasn’t enough to get the club a passing grade with health inspectors and was closed again a day later.

According to the Post, the health inspector gave the club 69 violation points and a “C” grade, and in case you are unsure what that means, that is bad.  The health inspector found perishable food at dangerously warm temperatures inside the walk-in refrigerator, “hot” food left out on the counter and a worker mixing salsa with bare hands. 

The grade will be adjudicated at a hearing next month.  Ron Berkowitz, spokesman for 40/40 Club, stated to TMZ that the grade was a still pending.  Since news broke of the club’s closing a day after its star-studded re-opening, some have rushed to various websites to question Jay-Z’s business acumen.  But even “The Donald” has had his share of bumps along the road.  I’m sure HOV could’ve oversaw the details of re-opening of 40/40 Club with a platinum tooth comb to ensure no hiccups like this would happen, but I believe Jigga has much more on his mind as of late.  Wouldn’t you agree?

Photo: Theo Wargo/Getty Images