In 2010, the best that Broadway had to offer was at the Cort Theatre. First theatre-goers were dazzled with the revival of Fences and in the fall they were awed by the debut of Time Stands Still on Broadway. Like The Scottsboro Boys the buzz created by Time Stands Still during its Off-Broadway run demanded that this production come to Broadway. This is a grown-ass play dealing with grown up, modern relationship issues. Time waits for no man, but sometimes it pauses briefly for a display of greatness. To read F.A.M.E NYC’s full review of Time Stands Still, click https://famenycmagazine.com/2010/10/17/time-is-on-their-side/.
From Dixie…to the Vineyard Theatre …to Broadway, The Scottsboro Boys has had an eventful 2010. When I saw this musical at the Vineyard Theatre I thought it would be criminal if this production did not make it to The Great White Way. Luckily, I did not have to drop a dime to the theatre police because in the fall the musical debuted at the Lyceum Theatre. Thrilling from beginning to end, The Scottsboro Boys took all the elements of great a musical production and created a unique experience for its audience. I hope it will return to Broadway once more this year. To read F.A.M.E NYC’s full review of The Scottsboro Boys, click https://famenycmagazine.com/2010/04/13/time-traveling-with-the-scottsboro-boys/.
Gabriel blow your horn! The angels certainly did sing for this revival of Fences, and August Wilson must have been smiling from heaven. The play itself is a tour de force; add the direction of Kenny Leon along with the brilliant acting of Denzel Washington and Viola Davis, shake it up and you have lightning on stage. I guess the best testament of this revival’s home run is the three Tony Awards it received. This one knocked it over the fence and out of the theatre. To read F.A.M.E NYC’s full review of Fences, click https://famenycmagazine.com/?s=Fences.
Epic and wondrous to behold, Jason Covert’s CARNIVORA was a mystical journey of sight and sound. This multimedia extravaganza gave new meaning to the Big Bang Theory as Jason explored man’s primitive ancestry and polytheistic creation myths. I was truly inspired by the complete vision that started from doodling in a college classroom. I think the Gods were very pleased. To read F.A.M.E NYC’s interview with Jason and view the slideshow of CARNIVORA, click https://famenycmagazine.com/2010/09/27/carnivora/.
I simply love, love, love how American Apothecary’s fuses American pharmaceutical iconography to create a visual statement about the choices we make. I also love, love, love the quality of their merchandise. Besides creating an eco-friendly line of T-shirts that are a guaranteed conversation piece, they also give 10% of their profits to drug outreach programs. Someone call Dr. Drew Pinsky and VH1, because I’m addicted. To view more of F.A.M.E NYC’s article about this bold new brand, check out https://famenycmagazine.com/2010/12/09/american-apothecary-adds-a-new-voice-to-fashion/.
Ralph Lauren is not only a fashion deity; he is also a New York treasure. This Bronx native has created legions of devoted customers and provided a staple brand that represents the best of American fashion. For Fall 2010, Ralph Lauren provided Edwardian-inspired romance mixed in with a little boho chic. For Spring 2011, he went back to the range and sent Bonanza sexy down the runway at New York Fashion Week. The west is a familiar place for Ralph Lauren and no one interprets American style better than him. To view Ralph Lauren’s Fall 2010 and Spring 2011 shows, check out the following F.A.M.E NYC links, https://famenycmagazine.com/2010/02/20/ralph-lauren-fall-2010/
I spend a lot of my time walking the streets of Times Square, navigating through the cavalcade of tourists and spectators. I have had quite a few special moments in Times Square this year, but my top moment was going to visit Tutankhamun and the Golden Age of the Pharaohs exhibit at the Discovery Times Square Exposition. Walking into the theatres of Times Square, transported one can be anywhere or to any period of time, but to actually be able to view artifacts that have survived for centuries had a profound effect on me. It was humbling and extraordinary; a day I will never forget.
Tutankhamun and the Golden Age of the Pharaohs will be leaving The Big Apple soon, returning to the land of the Nile permanently. If you don’t get a chance to see it, you can always read F.A.M.E NYC’S review of this magnificent display of antiquity, http:/famenycmagazine.com/?s=King+Tut&searchbutton=go%21/.
F.A.M.E NYC wishes you a New Year that is full of abundance and prosperity. 2010 is in the record books and as I reflect on the year that was, I feel it is my duty to chime in and share my thoughts on what I feel was the best fashion, art, music and entertainment New York City had to offer. Hope you will enjoy walking down memory lane as I review F.A.M.E NYC TOP 2010.
The first time I met Skot Foreman was during a Purvis Young exhibit at Gallery Bar in 2008. I was pulled in Purvis’ world of struggle and redemption. I spoke with Skot briefly that evening and left thinking how Purvis Young had a real champion in Skot Foreman; he was someone that would fight to ensure the legacy of this artist (who was in failing health) would be properly maintained and not exploited. But as I got to know Skot I came to the conclusion that it was not just Purvis that made him zealous. Skot Foreman is passionate about three things: his two dogs Cassie and Reva and art. Another thing I learned after getting to know him over the past two years is that Skot is a rebel.
Unlike the famed General Sherman, Skot made his march in reverse conquering one city at a time. He opened Skot Foreman Fine Art in 1994 using various locations within the greater Miami area. In 2001, he moved to Atlanta opening up a space in Castleberry Hill, the city’s gallery district. Skot moved to Manhattan in 2004 and opened a gallery first on the upper eastside. Currently, he is settled in Tribeca. “I always had a connection to New York,” he states. He admits that his journey to “the hub of the international art market” was one filled with baby steps. Originally wanting to migrate to New York after 9/11, Skot re-thought the notion and moved three years later. “I have always been one to swim upstream,” he states. Skot called his initial move to the upper eastside “strategic,” and feels that living downtown is more indicative to his personality. “It’s more creative and laid back…more on the DL,” he says, “There is a new discovery around every corner.”
One of those discoveries happened to be situated underneath Skot’s Tribeca home and would eventually lead to an innovative union between Skot Foreman Fine Art and fashion brand Grown and Sewn. Skot was introduced to Grown and Sewn’s founder and head designer Rob Magness through Rob’s wife Sara, an award- winning interior designer. Over a glass of wine they discussed the space that would become Grown and Sewn’s home, 184 Duane Street. Both had the desire to use the space for their creative endeavors and Sara suggested collaborating. “Rob and I looked at each other and you could see the light going off in one another’s head,” he says. Skot believes the synergy between he and Rob created magic. “The word that keeps coming back to me is authentic because so many people that do walk in the space seem to respond to the fact that we’ve combined art and craft, which is truly a human thing but I think it’s probably been lost through the later half of the twentieth century and we wanted to rediscover that.”
Skot Foreman Fine Art amasses contemporary art of the 20th and 21st centuries and features the works of prominent artists such as Pablo Picasso, Henri Matisse, Purvis Young, Keith Haring, M.C. Escher and many others. “I try not to show artists that are the flavor of the day,” he asserts, “I try to show artists that have stood the test of time. It starts with a chord that artist may have struck with me so it’s hard to remove any personal bias because if I don’t believe in it, if I don’t have conviction, then how can I share it with a friend or turn a collector on if I’m not passionately behind the work.” Skot believes his penchant for pop art stems from his surroundings growing up in Florida and recalls being cognizant of signs, billboards and other media. He also has a deep appreciation for artists that can take a sheet of paper and illustrate. “I’m a little bit old fashioned in that regard,” he shares, “I like [artists] who have got some chops, knows how to draw, came up through the ranks and paid their dues.”
Skot understands that artists are the visionaries of their times, no matter what genre one may choose t, which brings me full circle to how Skot and I met: a showing of Purvis Young’s work. Skot loves to “turn people on” to his work. He describes Purvis’ art as shamanistic; indeed there is an other-worldly aesthetic to his pieces. Skot and Purvis (who died in April) shared a friendship that spanned over 20 years. One of Skot’s favorite stories about Purvis Young involves another shaman of sorts, the late rapper Tupac Shakur. “I sent Tupac a portfolio of Purvis’ work to look at. I wasn’t there; it was through a third party. Tupac opens it up, starts looking at it, eyes start bugging, closes the portfolio up and says, this shit is fucking dope,” he recalls as we both begin to laugh. It is no surprise to me that kismet made Skot Foreman one of the preeminent collectors of Purvis Young’s work. Besides both men being Floridians, Purvis’ work projects a naked genuineness that obviously comes from within. It is that same frank verisimilitude that resonates from Skot’s demeanor and is the reason why they were kindred entities.
When it comes to the art that has been reflected during first decade of this millennium, Skot discloses that he has not been a fan of the new conceptual, instillation media that is meaningless but relies on the story behind it or the process of creation to hold its validity. He is not concerned with the back-story of a work of art, and would like to see a renaissance of the fundamentals of drawing and painting develop. “Everything is so media or marketing driven, and I think that’s probably why one day there is going to be a return back towards things that are authentic and accessible. Things that are real. People can see through all the smoke and mirrors.”
“What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coca-Cola, Liz Taylor drinks Coca-Cola, and just think, you can drink Coca-Cola too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. “ – Andy Warhol
Andy Warhol (August 6, 1928 – February 22, 1987) was a New York icon widely regarded as “the Pope of pop art.” His mastery of fusing commercialism and expression not only made him a trailblazer in the art world, but also an oracle of American culture. He was as American as apple pie, baseball or Coca-Cola. The stamp he created during his lifetime is still present in the art world today. He is among an elite class of artists whose work has sold for $100 million. The son of immigrants, it is no doubt that he was a true American original with a keen ability to amalgamate myriad forms of people and media to present us with the best and worst of our society.
“An artist is somebody who produces things that people don’t need to have.” – Andy Warhol
The fashion industry as a whole could be summed up in this quote. It is an entity that thrives on desire. People desire to have a closet full of dresses, slacks, and shoes and dressers filled with different brands of T-shirts, jeans and intimate apparel, but it is not a requirement necessitates our survival (at least for most of us). Clothing is used to help define who we are just as much as the art hanging on our walls communicates aspects of our personality. If Warhol was “Pope of pop art,” then khakis and jeans are one half to the All-American uniform. Everyone owns at least one pair.
“They always say time changes things, but you actually have to change them yourself.” – Andy Warhol
For all of the innovation and creativity seen on the runways of New York City, Milan or Paris, fashion is an industry that is slow to embrace change, Grown and Sewn is label that is on the forefront of changing attitudes in fashion. Their “Kax” combines a khaki and jean into a unique, durable and stylish product. They are also an eco-friendly company that produces their clothing in the U.S. Like Andy Warhol, they are American originals that have the potential to become a bellwether for American fashion as Warhol was for art.
“I have Social Disease. I have to go out every night. If I stay home one night I start spreading rumors to my dogs.” – Andy Warhol
The holidays are more than just a time to indulge in sales and fattening foods, it is also a time for gathering with friends and family and creating lasting memories. Grown and Sewn and Skot Foreman Fine Art have collaborated once again to showcase the pinnacle of vicissitude. Grown and Sewn’s December 17 holiday party opened an exhibit of works by Andy Warhol and other prominent artists at their Tribeca showroom, located on 184 Duane Street.Rob Magness and Skot Foreman are continuing the thread of celebrating American innovation and creation that was started with the Purvis Young exhibit a year ago.
“Once you ‘got’ Pop, you could never see a sign again the same way again. And once you thought Pop, you could never see America the same way again.” – Andy Warhol
Collaboration played a major role in Andy Warhol’s creative process and manufacturing. In some respects, collaboration is the American way. After all, what is American culture but the partnering of several different ethnicities working to produce an imprint that is distinct. Grown and Sewn’s and Skot Foreman Fine Art’s collaborations have altered the way people view art and fashion. In this sense, they are the new millennium Factory.
F.A.M.E NYC Magazine 
